A complete issue · 44 pages · 1914
Life — February 5, 1914
# "Come Out, Consarn Ye" This Life magazine cover from February 5, 1914 depicts a figure in winter clothing calling out to someone or something hidden in a snowy, forested setting. The caption "Come Out, Consarn Ye" (dialectal for "confound you") suggests coaxing someone reluctant to emerge. The image likely references a contemporary political or social figure reluctant to take public action or make a statement. The winter setting and frontier-style language ("consarn") add rustic, colloquial humor typical of Life's satirical commentary. The photographer credit reads "Victor C. Anderson." Without additional context from the magazine's contents, the specific political reference remains unclear, though the tone suggests mockery of someone avoiding public scrutiny or responsibility during early 1914.
# Analysis This page is **primarily a Colgate's Cold Cream advertisement**, not political satire. The large headline "Don't go through LIFE without COLGATE'S COLD CREAM" dominates the upper portion, accompanied by product images (a jar and a tube). The advertisement emphasizes three selling points: "Cleanliness, Comfort, Charm." The copywriting uses aspirational language typical of early-20th-century cosmetics marketing, suggesting the product is essential to living a full life. The call-to-action offers "a trial tube, dainty and attractive, mailed for 4 cents" to interested consumers at Colgate & Co.'s New York address. There is no political cartoon or satire present on this page—it is straightforward commercial advertising from Life magazine's pages.
# Analysis This page is primarily **advertising and travel promotion**, not political satire. The content includes: 1. **"The Still Alarm"** (top left): An illustrated advertisement for Asheville, North Carolina winter resorts via Southern Railway, promoting outdoor recreation and mild climate. 2. **"All those feet had Corns"** (bottom left): A humorous advertisement for Blue-jay corn remover, using a narrative about Blue Jays (the birds) discovering the product works, encouraging readers to try it. 3. **Center**: Informational text about Alabama's press agent and mineral production. 4. **Right side**: Advertisements for resort hotels in Asheville and Paris Garters. The page reflects early 20th-century consumer advertising strategies: combining light humor with product endorsements and tourism promotion. There is no evident political commentary or satirical critique—it's a commercial publication page.
# Analysis This page is primarily **advertising and fiction**, not political satire. The left side features an advertisement for Heisey's Glassware, promoting their "Electro-Portable" lamp—a new product combining glassware with electric lighting for home use. The center contains a short story titled "Insisted His Eggs be 'Lim'nated'" about three traveling companions at a Southern hotel. A guest obsessively demands his eggs be "eliminated" (prepared without eggs), frustrating the kitchen staff. The humor is situational—a play on the absurdity of his contradictory demand. The right side advertises Southern Pacific Steamships' luxury travel between New York and New Orleans. The bottom illustration, captioned "After Advising a Dose of Castor Oil, the Doctor Looks at Patient's Tongue—and Is Shocked," shows a doctor's comedic reaction to a patient's tongue after administering medicine. No significant political commentary appears on this page.
# Analysis of Life Magazine Page 213 This page contains two distinct elements: **Left column:** A brief satirical article titled "Extra Hazardous" criticizing the New Haven Railroad's directors for dining expensively ($12.50-$16.15 per person) while the company paid minimal dividends to stockholders—many of whom are widows and orphans. The piece argues such executive extravagance while shareholders suffer is financial recklessness, comparing it to mismanagement of public funds. It concludes with a biblical quote about improper stewardship. **Right side:** A full-page advertisement for Resinol Soap, featuring an elegantly dressed woman promoting the product's skin-clearing properties. The satirical contrast appears intentional: corporate greed and mismanagement juxtaposed against consumerism and beauty products—both reflecting early 20th-century concerns about wealth inequality and corporate accountability.
# Analysis This page is **not a cartoon or satirical content**—it is a **straightforward advertisement** for White Motor Cars, placed in Life magazine (page 214). The ad promotes the White Company of Cleveland, a manufacturer of gasoline motor cars, trucks, and taxicabs. The image shows a side-view illustration of an open-air touring car typical of the early 1900s. The advertisement emphasizes the company's manufacturing quality, the White Engine's economy and power, and their electrical starting and lighting system (described as now in its "third year"). The copy claims White Cars are distinctive and that no manufacturer is "so firmly intrenched" in the industry. This represents standard early automotive advertising—no satire is present.
# Analysis The main illustration depicts a historical scene titled "The Field of the Cloth of Gold," A.D. 1514, referencing the famous diplomatic meeting between King Henry VIII of England and King Francis I of France. The elaborate engraving shows richly dressed nobles in ornate period costumes greeting each other—likely representing the two monarchs and their courts. The accompanying short story, "Passionate Paragraphs" by Stephen Leacock, appears unrelated to the historical image. It's a modern romantic narrative about a couple's relationship conflict, ending with a marriage proposal—likely satirizing contemporary romantic conventions. The juxtaposition suggests *Life* magazine's typical format: pairing historical/classical imagery with contemporary humor to comment on timeless human situations.
# Page 216 of LIFE Magazine This page contains two humorous illustrations satirizing social behavior: **Top cartoon**: A domestic scene where a child refuses more ice cream, saying "I'm afraid I can't, but I don't mind tryin'!" The joke plays on a child's contradiction—claiming inability while demonstrating willingness. **Bottom section**: "Relief for Long Island Hostesses" mocks the social problem of young men's insobriety at dances. The article describes a ticketing system where gentlemen receive champagne at regulated intervals to maintain "equilibrium in the tango." The accompanying illustration shows a man examining his trousers with concern, captioned "These are the first suspenders that really seem to have any effect on my trousers"—joking that even suspenders fail when someone becomes sufficiently drunk and disheveled. Both pieces satirize upper-class social etiquette and its frequent failures.
# Analysis of Life Magazine Comic Strip (Page 217) This is a four-panel comic strip about a hunter and his well-trained dog. The joke relies on the dog's superior hunting ability, which ironically makes the hunter's gun unnecessary. Panel 1 establishes the premise: the hunter questions why he needs a gun when his dog is so well-trained. Panel 2 shows the dog commanding other animals to drop their weapons. Panels 3-4 depict escalating chaos—the dog appears to have accidentally shot the hunter instead, and is now retrieving him like game. The satire mocks the idea of having the "right tool for the job" when circumstances prove otherwise. It's a straightforward physical comedy strip with no apparent political content, using animal anthropomorphism for humorous effect.
# Explanation for Modern Readers This page contains editorial commentary on early 20th-century magazine controversies. The main illustration, titled "A Movement for Better Babies," depicts a woman with children—likely referencing the contemporaneous "Better Babies" movement, a eugenics-influenced public health campaign. The text discusses disputes between magazines: *McClure's*, the *Cosmopolitan*, and others over editorial practices and content standards. Richard Harding Davis criticized *McClure's* for publishing sensational material. The editors debate whether certain stories (like Mrs. Wharton's "The Custom of the Country") are too coarse or immoral for popular magazines. The final section announces that James Bryce and Owen Seaman have received peerages, treating this as noteworthy social promotion.
# Analysis of Life Magazine Page 219 The top cartoon satirizes modern life's frantic pace—a figure sprints frantically down a road between a cemetery and city, dodging scattered debris. The caption quotes an "Eminent Expert" claiming "the crazy rate is growing faster than the birth rate," suggesting society's speed and chaos are outpacing human reproduction. Below, an "Open International Letter" from "Uncle Sam" sarcastically proposes that world powers invade New Zealand, portrayed as foolishly peaceful and undefended. The letter mocks nations that neglect military buildup, rhetorically asking why world powers shouldn't exploit such vulnerability. It's satire critiquing American and global militarism and colonial attitudes. The bottom sketch shows an absent-minded man who forgot his wife's instructions—standard domestic humor.
# Political Satire: "Letters of a Japanese School-boy" This is a satirical letter to Life's editor from the perspective of a Japanese schoolboy named Arthur Kickahajama, commenting on American economic hardship during what appears to be a recession or depression era. The cartoon shows Arthur with American children, illustrating his observations about wealth inequality. The satire mocks: 1. **American economic anxiety** – The letter references tariff disputes, factory closures, and financial instability affecting American manufacturers and workers 2. **Ironic reversal** – A Japanese observer lectures Americans about prosperity while Americans struggle economically 3. **Spoiled children as metaphor** – Arthur compares American children's excessive toy consumption to broader financial recklessness, suggesting Americans live beyond their means The humor targets American anxiety about Asian economic competition and domestic financial mismanagement during uncertain economic times.