A complete issue · 46 pages · 1927
Life — June 2, 1927
# Life Magazine Commencement Number, June 2, 1937 This is a satirical cover for Life's "Commencement Number" featuring two stylishly dressed young people in 1930s fashion. The figure on the left holds a guitar and wears a patterned jacket; the figure on the right wears a white outfit with a hat and holds a cigarette holder, striking a casual pose. The caption reads: "Now what shall we commence?" The satire targets recent college graduates facing an uncertain future during the Great Depression. Rather than pursuing traditional career paths, the illustration suggests young people were turning to entertainment, leisure, and frivolous pursuits. The "commencement" joke plays on the gap between graduation's supposed promise and the grim economic reality awaiting new graduates in 1937.
# Analysis This is a **Buick automobile advertisement**, not political satire or a cartoon. The page features the famous Buick slogan "When Better Automobiles Are Built, Buick Will Build Them" at top, accompanied by an illustration of a 1920s-era open-air touring car filled with well-dressed passengers. The advertisement's text emphasizes owner pride in the vehicle's "smart beauty," "sterling dependability," and notably, its engine described as "vibrationless beyond belief"—a key selling point for automobiles of that era. The image shows passengers enjoying leisure travel, suggesting status and modern sophistication. There is no political message or satire present; this is straightforward commercial marketing typical of Life magazine's advertising content during the 1920s.
# Ethyl Gasoline Advertisement Analysis This is **not satire or political commentary** — it's a straightforward 1920s advertisement for Ethyl Gasoline, a motor fuel additive developed by General Motors. The page uses four illustrated sections showing different vehicle users: airplanes, racing cars, commercial trucks/buses, and passenger cars. Each testimonial claims Ethyl Gasoline improves performance by eliminating engine "knock" (pre-ignition), increasing power, and reducing maintenance costs. The Ethyl Corporation (25 Broadway, New York) positioned this as a premium fuel sold through participating oil companies. The messaging targets both professional operators and individual consumers by emphasizing efficiency gains and reliability. This represents early automotive marketing strategy, not editorial commentary.
# Analysis This is an advertisement for raisins disguised as social commentary. The cartoon shows a presenter pointing to a blank board, introducing the topic "Take Raisins." The text satirizes Prohibition-era marketing by California raisin growers. During Prohibition (when alcohol was banned), the raisin industry spent $50,000 advertising raisins as food, including promoting "raisin nibbling for your daily iron" and raisin bread consumption. The satire's point: the advertising campaign succeeded economically—raisin prices dropped despite massive promotion because supply exceeded demand. The author finds this amusing: the industry spent heavily to boost sales but inadvertently proved that aggressive advertising alone cannot overcome market fundamentals. Prosperity came to the region anyway, suggesting advertising's limited power. This is ultimately an advertisement betting "his product is right" through reasoned argument rather than hype.
# Analysis This page is primarily **advertising, not satire or political content**. It's a commercial advertisement for Lee tires, published in Life magazine. The illustration depicts a leisurely suburban scene—a well-dressed family with a car and children playing nearby—designed to associate Lee tires with comfortable, safe family life. The advertisement emphasizes practical selling points: durability ("over over-size"), value, and variety (different tire types for different vehicles: Fords, Chevrolets, Stars). The tagline "Cost No More to Buy – Far Less to Run" appeals to middle-class consumers concerned with both affordability and long-term economy. This represents early 20th-century automotive marketing targeting expanding car ownership among ordinary Americans.
# Analysis of Life Magazine Page This page is primarily **advertising and light satirical content** rather than political commentary. The top advertisement features **W.L. Douglas shoes** ($5-$8), presenting the manufacturer as a man of experience and quality. The pitch emphasizes affordability without sacrificing craftsmanship. Below, a Pickwick Pale Ale advertisement includes "The Lost Chord" cartoon—a visual pun showing a figure at a piano with musical notes floating upward. The joke plays on the beer's appeal: apparently composers searching for harmonious compositions should try Pickwick Ale to inspire creativity. The tagline calls it "The Tang of Good Old Ale." The right column contains two brief humorous stories ("That's News!" and "No Wonder!") about everyday domestic and police matters, typical of Life's light satirical humor aimed at middle-class readers.
# Analysis This is primarily **advertising content**, not political satire. The page features a romanticized illustration of a woman on a telephone, surrounded by roses, promoting "Saybrook Flowers" delivery service. The ad copy uses the sentimental framing "And he said it with flowers"—a common early 20th-century marketing phrase emphasizing flowers as a romantic gesture. The text describes flowers as superior to words for expressing emotion, positioning the florist service as enabling romance across distance via telephone ordering ("by wire-anywhere"). The small print indicates this is from the Florists' Telegraph Delivery service, which coordinated nationwide flower delivery. This represents early consumer advertising targeting affluent readers, blending romance, technology (telephones), and commercial convenience—typical of *Life* magazine's advertising strategies in this era.
# Analysis This page is primarily **Packard automobile advertising**, not satire or political commentary. The top image shows a medieval knight on horseback, wielding a sword and lance—a historical reference establishing Packard's "leadership" as longstanding and authoritative. Below is a 1920s-era Packard sedan. The text argues that Packard has maintained automotive market leadership for 27 years through deliberate engineering excellence and precision manufacturing. It claims Packard engines power successful racing vehicles, military planes, and boats, positioning the brand as a symbol of quality and good taste. The "leadership" metaphor compares Packard's market dominance to a knight's commanding position. The ad targets affluent buyers who equate car ownership with personal status and refined judgment—a common luxury marketing approach of the era.
This page is primarily an advertisement for Hamilton Watches, not satirical content. The ad promotes watches as graduation gifts, emphasizing Hamilton's reputation for accuracy—specifically their "Railroad Accuracy" standard. The upper portion features a photograph of what appears to be a young man and woman, likely representing typical graduates or gift-givers of the era. Below are various Hamilton watch models with prices ranging from $48 to $75. The advertisement's appeal centers on precision and dependability as markers of quality suitable for marking life milestones. The "Railroad Accuracy" branding reflects early 20th-century American values associating mechanical precision with reliability and prestige. This is straightforward commercial messaging rather than satire or political commentary.
# Analysis of "Companee-ten-shun!" This is primarily a **Metropolitan Life Insurance Company advertisement**, not political satire. The image shows soldiers in military formation, likely from World War I era based on the uniforms and bare trees suggesting a military camp. The headline plays on "compensation"—the text discusses how Uncle Sam provided life insurance to servicemen during the war. The satire is subtle: the ad argues that many soldiers allowed their government-issued policies to lapse after the war, and now face exclusion from reinstatement. The piece appeals to veterans' patriotism and financial responsibility, suggesting they're missing a "golden opportunity" to restore coverage. It's essentially a recruitment pitch disguised as civic-minded advice, targeting the 3.5 million eligible service members.
# Analysis of Life Magazine Page This page combines satire with advertising. The top cartoon mocks a football star's modest winnings—he receives only flowers and a potted plant after winning "all them games," satirizing how college athletes (despite their fame) received minimal material rewards. The main section is a **composite advertisement** for Turkish tobacco, written as if a cigar retailer is endorsing the product's superiority. It humorously positions the advertiser as an "employee" who feels entitled to speak frankly about quality. The bottom cartoon, "Graduation from the College of Hard Knocks," depicts chaotic slapstick violence—people being knocked around—as a visual pun on the phrase's meaning: life's tough lessons learned through hardship rather than formal education. The page reflects early 20th-century American humor styles mixing commentary on athletics, consumer goods, and working-class wisdom.
# Analysis of Life Magazine Page 10 This page contains three distinct humor pieces: 1. **"Song for This Elizabethan Weather"** - A nonsense song mocking ornate musical composition styles, with elaborate syllabic sequences ("toodie, oodlie, fal fal de") rather than coherent lyrics. 2. **"Selective"** - A brief dialogue where an Ancient Mariner claims he took ten books to a desert island. The joke plays on the classic Coleridge poem reference, creating absurdist humor through unexpected answers. 3. **"Lie"** - A short piece about a Prohibition debate, using the educational excuse "I ran out of stamps" as an ironic non-sequitur. The large illustration shows women in a bedroom scene with dialogue below about marriage and knowing one's partner—typical early-20th-century domestic satire aimed at married couples or courtship customs. The overall tone is lighthearted wordplay and social commentary on contemporary manners.