Biblioteca Grandes del Cómic: Drácula #2
In "La Noche de los Cazadores Mortíferos," a 2003 release from Planeta DeAgostini, Drácula is captured by a fisherman and brought to a church, only to awaken and flee from the crucifix. As the town turns against the mysterious stranger, a chain of violent transformations begins when Drácula saves David’s fiancée Andrea from a new vampire threat—only to be hunted by the very villagers he’s tried to protect. With haunting artwork by Gene Colan and inks by Vince Colletta, and a striking cover by Gil Kane and Tom Palmer, this issue blends gothic dread with unexpected alliances.
In "La Noche de los Cazadores Mortíferos," Drácula strikes at Edith Harker, thwarted only by her crucifix, leaving her helpless as rats close in—until her father Quincy intervenes. With Edith unconscious and the threat growing, Quincy sends a desperate telegram to Rachel Van Helsing, summoning her to London. As he prepares with new weapons and shares his dark past with Frank Drake, Drácula begins weaving a sinister trap, using hypnotized children to lure his enemies into a deadly ambush.
In "Criaturas Infernales," Drácula pushes the desperate Doctor Heinrich Mortte to build a machine capable of resurrecting the dead, even as children fall under the spell of vampire hunters. With tension rising and the line between life and death blurred, Mortte’s defiance leads to a fatal confrontation.
In "Se Llama... Blade!", Blade finds himself trapped on a storm-lashed ship with Drácula after a brutal massacre of vampires, his mission thrown into chaos. With the ship rigged to explode by the desperate captain Charlie O'Casey, Blade must decide who to save as the waters close in—and Clifton Graves is left behind, abandoned by the vampire lord.
In "¡Barco de Demonios!," Spiderman races across the sea aboard a storm-lashed vessel, desperate to reach Dr. A. J. Maxfield before time runs out—she holds the key to a cure for his ailing Aunt May. But he’s not the only one hunting her: Drácula and a ruthless mafia crew are closing in, turning the ship into a battleground of shadows and secrets.
In "¡Vudú en Londres!", Jason Faust wields voodoo dolls to manipulate his enemies, bending Brand’s gang to his will. When Drácula intervenes to avenge the band and rescue Quincy Harker, a deadly clash of dark forces unfolds in the heart of London.
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Reprints
↩ Reprints Tomb of Dracula #7 (1973), Tomb of Dracula #8 (1973), Tomb of Dracula #9 (1973), Tomb of Dracula #10 (1973), Tomb of Dracula #11 (1973), Tomb of Dracula #12 (1973), Tomb of Dracula #13 (1973), Tomb of Dracula #14 (1973), Giant-Size Spider-Man #1 (1974)
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