Amazing Spider-Man Epic Collection #15
☆ Be the first to review + Add to your collection — Join freeThis Epic Collection reprints the classic storyline 'Kraven's Last Hunt' along with surrounding issues from the late 1980s, featuring Spider-Man's harrowing confrontation with Sergei Kravinoff. The volume includes the core six-part saga written by J.M. DeMatteis with art by Mike Zeck, plus tie-in issues from Web of Spider-Man, The Amazing Spider-Man, and Peter Parker, the Spectacular Spider-Man. This new printing collects the same material as the original 2014 release, offering a definitive edition of one of Spider-Man's most acclaimed and psychologically intense stories.
In "All My Pasts Remembered!", Peter grapples with the weight of Mary Jane’s newfound knowledge about his secret identity, as she opens up about her own painful past marked by loss and hardship. Meanwhile, the Hobgoblin, alive and plotting from the shadows, demands control over the city’s criminal underworld—and sets his sights on Harry Osborn. With Mr. Fantastic’s telepathic attempts to reach Spider-Man’s alien suit failing, Peter dons his classic red and blue suit, ready to confront the threat head-on.
In "The Scorpion Takes a Bride!", the villain Scorpion targets J. Jonah Jameson by kidnapping his son and the bride-to-be, Marla Madison, in a twisted bid for revenge. With the wedding day turning into a high-stakes hostage crisis, Spider-Man must race to save them—leading to an unexpected moment when he kisses J. Jonah Jameson.
In "The Challenge of Hobgoblin!", Spider-Man races through New York’s underworld to stop the enigmatic Hobgoblin, whose obsession with his father’s secrets puts Harry Osborn in deadly peril. With the black alien suit whispering through Franklin Richards’ mind and the fight escalating to a chaotic showdown in a women’s bathroom, Spidey must outmaneuver a relentless foe—until Hobgoblin’s glider becomes his last weapon. As Liz and Mary Jane vanish into the hands of the Rose’s men, Harry watches helplessly, caught between past sins and a present that refuses to let go.
In "The Sins of My Father!", Harry Osborn is forced to confront his father’s legacy when the Rose and the Hobgoblin seize Mary Jane and Liz, demanding the old Goblin journals in exchange for their lives. With his past colliding with present danger, Harry must fight back using the very weapons of his father’s dark history—only to find himself trapped in a burning warehouse with Liz in labor. As Spider-Man takes up the fight, the chaos escalates, and a mysterious black alien costume breaks free from the Baxter Building, setting the stage for something far darker.
In "Trade Secret," Peter Parker finds himself in a tight spot when a sleazy photographer captures him mid-change, threatening to expose his secret identity to the criminal underworld. With his cover at risk and his life on the line, Spider-Man must move fast to stop the leak before it’s too late.
In "The Spectacular Spider-Kid!", a shy, overlooked boy with a big dream dons a homemade Spider-Man suit and borrowed octopus arms, hoping to join the web-slinger as a sidekick. When his bold attempt goes hilariously awry, Spider-Man steps in not just to save the day, but to help the kid find his own kind of courage. Meanwhile, a quiet moment of joy unfolds as Liz welcomes her newborn son into the world.
In "Red 9 and Red Tape!", Spider-Man juggles a brash Texas teen in a high-tech suit eager to challenge him and a bureaucratic maze that might just resurrect an old man—on paper, at least. The clash of youthful ambition and red tape adds a sharp, unpredictable edge to the web-slinger’s usual chaos.
After the Fox! finds the Black Fox on the run from Silver Sable and her Wild Pack, desperate to finish one last heist before disappearing into retirement. When Spider-Man intervenes, moved by the thief’s plea about his missing family, he helps him escape—but insists on returning the stolen jewels to Sable. Meanwhile, Peter starts rebuilding his fragile connection with Aunt May, who’s been distant since learning he left grad school.
In "Jump for My Love or Spring Is in the Air," Spider-Man intervenes when Toad attempts to end his life, only to find the would-be suicide bomber suddenly eager to become his sidekick. After brushing him off, Toad stages a dramatic ambush with a gang of thugs to prove himself—unintentionally bringing together Frog-Man and Spider-Kid, who both show up to help. With their shared misfit energy and a sudden spark of camaraderie, the trio forms the Misfits, much to Spider-Man’s bemusement.
In "This Gold Is Mine!", Spider-Man finds himself caught between a government cover-up and a criminal heist when the Beyonder transforms a downtown building into solid gold, threatening global markets. As agents scramble to dispose of the gold by dumping it into the ocean, Spider-Man teams up with Agent Anderson to stop the Kingpin from stealing a shipment—only to later grapple with a personal dilemma when he brings home a gold notebook from the wreckage, unsure what to do with it.
In "The Hero and the Holocaust!", Spider-Man faces off against Firelord in a brutal clash of wills and power, racing to stop the former Herald of Galactus from claiming another life. With the Avengers arriving just as the fight reaches its peak, the fate of the battle hangs in the balance—only the web-slinger stands between chaos and catastrophe.
In "Whatever Happened to Crusher Hogan?", a retired Crusher Hogan—now working maintenance at a boxing gym—finds himself entangled in a dangerous scheme when he uncovers a plot by one of the gym’s owners to eliminate a promising fighter. When Peter Parker gets a call from Aunt May about a missing Nathan, Spider-Man is drawn into the conflict, teaming up with Hogan and boxer Bobby Chance to stop the real threat: the brutal Manslaughter. As Spider-Man brings the villain to justice, he spins a small lie that rekindles Hogan’s legend—and quietly reaffirms a bond that’s been buried for years.
In "Make Way for Slyde!", Spider-Man faces off against a slick new foe whose slippery tactics and unexpected alliances blur the line between hero and villain. When the enigmatic Slyde surfaces with a plan that upends the criminal underworld, Spider-Man must untangle a web of deception—especially when the villain’s actions unexpectedly lead to justice, leaving the hero questioning who’s truly in control.
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Reprints
↩ Reprints The Amazing Spider-Man #259 (1984), The Amazing Spider-Man Annual #18 (1984), The Amazing Spider-Man #260 (1985), The Amazing Spider-Man #261 (1985), Marvel Age #24 (1985), The Amazing Spider-Man #262 (1985), The Amazing Spider-Man #263 (1985), Web of Spider-Man #1 (1985), The Amazing Spider-Man #264 (1985), The Amazing Spider-Man #265 (1985), The Amazing Spider-Man #266 (1985), The Amazing Spider-Man #267 (1985), Marvel Fanfare #22 (1985), The Amazing Spider-Man #268 (1985), Web of Spider-Man #6 (1985), The Amazing Spider-Man #269 (1985), The Amazing Spider-Man #270 (1985), The Amazing Spider-Man Annual #19 (1985), The Amazing Spider-Man #271 (1985), The Amazing Spider-Man #272 (1986), Marvel Tales #273 (1993), Marvel Tales #274 (1993), Marvel Tales #275 (1993), Marvel Tales #276 (1993), Marvel Tales #277 (1993), Marvel Tales #278 (1993), Marvel Tales #279 (1993), Marvel Tales #280 (1993), Marvel Tales #281 (1994), Marvel Tales #282 (1994)
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