Amazing Spider-Man Epic Collection #10
☆ Be the first to review + Add to your collection — Join freeThis Epic Collection gathers the web-slinger's adventures from the mid-1970s, a period marked by a rogues' gallery assault on New York City. The volume includes the return of the Lizard, the debut of the Man-Wolf, and confrontations with Doctor Octopus, the Kingpin, and the Vulture, alongside the tragic emergence of Michael Morbius. It collects Amazing Spider-Man #151-180 and Annual #11, showcasing Peter Parker's struggles with his dual identity amid a city under siege by villains like the Rhino, Shocker, and Stegron the Dinosaur Man.
"Stegron Stalks the City!" is a standout tale from the Amazing Spider-Man Epic Collection #10, featuring a rare dual writing credit from Archie Goodwin and Bill Mantlo, with dynamic art by Don Perlin and inks by Jim Mooney. When Spider-Man takes on a movie role as a spider monster, his financial woes lead to a bizarre crossover with stuntwork, sabotage, and a farm-based mystery involving a rogue producer and three masked impostors in his own costume. The cover, a classic collaboration by Gil Kane, John Romita, and Mike Esposito, captures the chaos perfectly — a 49.99 USD (62.50 CAD) comic that’s as much a love letter to 1980s Spider-Man as it is a tightly wound thriller.
In "Stegron Stalks the City!", a terrifying rampage begins when the villain Stegron infiltrates the Museum of Natural History, using an electromagnetic field to reanimate ancient dinosaur skeletons and unleash chaos across the city. Spider-Man fights to stop the onslaught, but is overwhelmed—buried under rubble from a brutal tail strike—while Curt Conners, desperate after his son’s abduction, succumbs to his transformation into the Lizard.
In "War of the Reptile-Men!", Marla unveils her new Spider-Slayer robot to Jonah, while Spider-Man races to save Billy Connors on Christmas, all while the Lizard shadows his every move. The clash of science, family, and reptilian menace heats up in this action-packed tale from the Amazing Spider-Man Epic Collection #10.
In "...Stalked by the Spider-Slayer!," Spidey is caught in a high-stakes chase when J. Jonah Jameson unleashes his new Spider-Slayer robot, forcing the web-slinger to dodge both mechanical fury and a mysterious new threat—Will-o'-the-Wisp, whose strange density-manipulating powers throw Spidey off his game. With Jameson’s vendetta escalating and an unpredictable foe on the scene, Spidey must think fast to survive a double threat he never saw coming.
In "Murder on the Wind!", Spider-Man faces off against J. Jonah Jameson’s deadly Spider-Slayer and the elusive Will-o'-the-Wisp, a foe whose tricks blur the line between shadow and truth. When Dr. Jonas Harrow confronts the Wisp, a chilling choice forces a shocking moment of reckoning.
In "Confrontation," J. Jonah Jameson confronts Peter Parker with damning photos of Spider-Man disposing of the Peter Parker clone, forcing a tense showdown. The moment hangs in the balance as Peter tries to make Jameson see the truth—without revealing how it all unfolds.
In "Madness Is All in the Mind!", Spider-Man finds himself under the sinister influence of Dr. Faustus, who uses a mind-altering drug to turn the web-slinger into a pawn. As the drug's effects fade, Spider-Man must race against time to stop Faustus from unleashing a dangerous psychogenic agent on the flu vaccine.
In "Spawn of the Spider," Spider-Man takes on a Hollywood gig playing a spider monster, trading web-slinging for red carpet chaos. When a series of sabotage attacks rock the set—wearing his own designs—Spider-Man must untangle a web of deception, tracking the masked Spider-Squad to a farm where the real threat lies in the shadows of a greedy producer.
In "Chaos at the Coffee Bean!", Peter Parker and Mary Jane Watson share a quiet moment at their favorite café—until an armed robber turns the scene into chaos. When Troubadour Paul Cassidy steps in to help, he’s quickly taken hostage, forcing Peter to suit up as Spider-Man. What follows is a fast-paced chase that unravels a surprising twist: the robber is Paul’s manager, Hank, who orchestrated the whole scene for publicity. As Spider-Man brings the culprits to justice, Peter’s return to civilian life doesn’t go unnoticed—Mary Jane isn’t ready to let the moment pass so easily.
When the People's Liberation Front targets J. Jonah Jameson with a high-stakes kidnapping, the city’s most infamous hitman steps back into the spotlight. Spider-Man and the Punisher find themselves on opposite sides of a deadly game, forced to confront not just a ruthless criminal, but the chaos he brings to the streets of New York.
In "Big Apple Battleground!", Spider-Man faces off against the People's Liberation Front and their enforcer, the Hitman, at Ellis Island, where a deadly plot to destroy the Statue of Liberty and kill J. Jonah Jameson is unfolding. When the Punisher recognizes the Hitman as a former comrade, he’s forced into a brutal choice—save the past or protect the present—and ultimately chooses to stand with Spider-Man.
In "He Who Laughs Last...!", Spider-Man’s latest rescue mission takes a sharp turn when Jonah returns to the Bugle, only to question whether gratitude has any place in the chaos he’s stirred. Meanwhile, Aunt May’s sudden health scare during a protest for senior rights sends shockwaves through the city, while Flash’s quiet evening unravels when the Green Goblin turns his apartment into a battleground—leaving Spider-Man to face a terrifying new threat with no easy answers.
In "Goblin In the Middle," Spider-Man races to save Flash from the Goblin’s grasp, only to lose him in the chaos. With Aunt May hospitalized and her condition worsening, Peter slips into a secret meeting of crime bosses, where he overhears the Goblin declare his intent to prove himself by eliminating Spider-Man—setting the stage for a dangerous game of power and revenge.
When Aunt May’s life hangs in the balance and Peter must sign the consent form to save her, he’s torn between a hospital bed and a city under siege—because the Green Goblin isn’t just hunting Spider-Man, he’s making sure Peter can’t get to her in time.
In "The Goblin's Always Greener...!", Peter Parker tends to Aunt May’s recovery while juggling a new assignment from Jonah Jameson. When a chaotic clash erupts at Radio City Music Hall, Spider-Man must confront the Goblin’s twisted game—just as Harry Osborn narrowly escapes a deadly trap.
In "Who Was That Goblin I Saw You With?", Spider-Man confronts a twisted twist in his ongoing war with the Green Goblin—only to discover the villain is actually Dr. Hamilton, Harry Osborn’s psychiatrist. With Harry himself wearing the Green Goblin suit, the two must navigate a dangerous alliance as secrets unravel and the line between enemy and ally blurs.
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↩ Reprints Marvel Treasury Edition #14 (1977), The Amazing Spider-Man #165 (1977), FOOM Magazine #17 (1977), The Amazing Spider-Man #166 (1977), The Amazing Spider-Man #167 (1977), The Amazing Spider-Man #168 (1977), FOOM Magazine #18 (1977), The Amazing Spider-Man #169 (1977), The Amazing Spider-Man #170 (1977), Nova #12 (1977), The Amazing Spider-Man #171 (1977), The Amazing Spider-Man #172 (1977), The Amazing Spider-Man Annual #11 (1977), The Amazing Spider-Man #173 (1977), The Amazing Spider-Man #174 (1977), The Amazing Spider-Man #175 (1977), The Amazing Spider-Man #176 (1978), The Amazing Spider-Man #177 (1978), The Amazing Spider-Man #178 (1978), The Amazing Spider-Man #179 (1978), The Amazing Spider-Man #180 (1978), FOOM Magazine #22 (1978), The Amazing Spider-Man #181 (1978), The Amazing Spider-Man #182 (1978), The Amazing Spider-Man #183 (1978), The Amazing Spider-Man Annual #12 (1978), The Amazing Spider-Man #184 (1978), The Amazing Spider-Man #185 (1978), Marvel Tales #100 (1979)
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