All Star Western #73
☆ Be the first to review + Add to your collection — Join freeIn "Canyon of Death!", Dan Barry ventures into the treacherous hills where Sioux raids have left towns terrorized and horses stolen—only to uncover a twist that defies expectation. With the help of a young Sioux tracker named Little Tracker, Dan unravels a mystery hidden in honeycombed caves, where the so-called raiders are actually disguised men using the terrain to their advantage. Written by Ed Herron and brought to life by Irwin Hasen’s dynamic art and Bernard Sachs’ inks, this gripping tale of deception and courage features a striking cover by Gil Kane and Joe Giella.
In the dusty frontier of "Canyon of Death!", two men—Walt, the reluctant sheriff, and Wayne, the impulsive one—find themselves locked in a tense stand-off when rustlers draw a deadly line around town. When Wayne defies the threat and rides into the canyon to recover the stolen cattle, Walt follows in a desperate bid to stop him. The two clash, then unite on a single horse, racing through danger to bring the outlaws to justice.
In "The Legend of the Sun-Makers!", Strong Bow stumbles upon a valley where a chief and his followers claim to control the sun by shooting flaming arrows each dawn. When he disrupts their ritual with his own arrows and exposes their deception, the people’s doubt grows. Strong Bow then pushes the legend further, launching a blazing tree-arrow into the sky, challenging the chief’s authority in a final test of will and skill.
In "The Vanishing Raiders!" from All Star Western #73 (1953), a series of mysterious horse raids by Sioux warriors leaves the frontier town on edge—until cavalryman Dan takes it upon himself to uncover the truth. When he discovers the so-called raiders are actually white men in disguise hiding in a network of honeycombed caves, he teams up with a young Sioux tracker named Little Tracker to expose the deception. With clever thinking and a well-placed diversion, they turn the terrain against the impostors—just as the real danger begins to unfold.
In "Battle of the War Bonnet!", Johnny Thunder—a man who plays the part of a frontier hero—tracks down three outlaws in the hills, unaware that his actions are being watched by a young Cheyenne boy named Swift Deer. Inspired, Swift Deer dons his father’s war bonnet and shirt, though it keeps slipping over his eyes as he tries to follow in Johnny’s footsteps. When a buffalo stampede puts the boy in danger, Johnny saves him, only to be surprised when Swift Deer uses swift arrows to drive off the thugs—proving bravery isn’t in the clothes, but in the heart.
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Reprints
Reprinted in All Favourites Comic #18 (1960), Johnny Thunder #2 (1973), Tomahawk #3/1975 (1975), Tomahawk #3/1975 (1975), Tomahawk #10/1975 (1975), Tomahawk #10/1975 (1975), Tomahawk #5/1983 (1983), Tomahawk #5/1983 (1983)
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