Richard Arnold Moores was born on December 12, 1909, and spent the better part of his career making his mark in American newspaper comics. He died on April 22, 1986. Though his catalog work included contributions to Disney comics — drawing, inking, lettering, and writing across titles such as *Donald Duck* and *Four Color* throughout much of the mid-twentieth century — Moores is remembered above all for his long stewardship of *Gasoline Alley*, the beloved domestic strip he shepherded for close to thirty years. That sustained commitment to a single strip speaks to both his versatility and his dedication to character-driven, slice-of-life storytelling. His Disney work also reached international audiences through publications like *Le Journal de Mickey*, *Kalle Anka & C:o*, and *Donald Duck & Co*, suggesting that his clean, expressive linework translated well across markets and readerships. Over a career spanning decades and credited across more than 245 issues, Moores demonstrated a steady professionalism that made him a reliable and distinctive presence in mainstream American comics. His work on *Gasoline Alley* in particular left a durable impression on the strip's identity, and that legacy has helped keep his name in the conversation among serious students of the comic strip form.
