The Reticent Heart and Other Stories #[nn]
☆ Be the first to review + Add to your collection — Join freeThis collection brings together a series of short comics by an alternative cartoonist, originally published in 1988 by Fantagraphics. The stories explore themes of emotional isolation and human connection through a minimalist, expressive art style. It stands as a notable example of late-1980s underground and independent comics storytelling.
In "Sugar 'N' Spikes," Gilbert Hernandez crafts a quietly unsettling journey through the streets of Palomar, where photographer Howard Miller captures fleeting moments of life—until an encounter with Tonantzin sets off a chain of strange events. After a disorienting visit to the town’s forgotten ruins, Miller returns home to a vision that lingers, leaving him unsettled and alone. With his signature blend of intimacy and mystery, Hernandez delivers a story that lingers in the mind, drawn and inked with the same meticulous care that defines his work. The cover by Gilbert Hernandez perfectly mirrors the story’s dreamlike unease.
On Isidro's Beach, a quiet moment on the shore unfolds when Guadalupe notices a man watching her, his gaze shifting to Casimira and Maricela as they play in the waves. As the day wears on, the man’s presence lingers—unfamiliar, yet charged with memory—revealing himself to be Isidro Rivas, a man whose life has changed in ways no one on the beach can fully see.
In "The Reticent Heart," Heraclio navigates a quiet storm of memory as he recalls two pivotal moments tied to Luba: a night years ago when he and his friends gave her a ride home, and an earlier, hidden chapter from his youth when he shared a fleeting but life-altering moment with her as a teenager. The past unfolds in fragments, revealing how a single encounter shaped lives across time, with Luba’s daughter Guadalupe now standing at the edge of a story still being written.
In "The Way Things're Going," Vicente and his friend Gato navigate the quiet desperation of life on the margins, their bond tested by poverty and hardship. Amid the weight of daily struggles, the presence of Luba and Doralis offers fleeting moments of connection, while Jesus watches from the edges, a silent witness to the fragile resilience of ordinary lives.
Howard Miller, a quiet American photographer, wanders the sun-drenched streets of Palomar, capturing fleeting moments of everyday life. When Tonantzín Villaseñor suggests he might help her catch Hollywood’s eye, their chance encounter sparks an unexpected connection. After a disorienting journey through ancient ruins with Theo, Howard returns home to find Tonantzín waiting—her presence now charged with something neither of them can quite name.
In "A True Story," Gilbert Hernandez recounts a striking moment from his past when the up-and-coming wrestler Adrian Adonis—then known as Keith Franks—crossed paths with him before a performance, leaving a lasting impression. The encounter unfolds in the charged atmosphere of a backstage moment, where the lines between performer and observer blur, and a young artist finds himself unexpectedly drawn into the world of a rising star.
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Reprints
↩ Reprints Love and Rockets #7 (1984), Love and Rockets #8 (1984), Love and Rockets #10 (1985), Love and Rockets #11 (1985), Love and Rockets #12 (1985), Love and Rockets #13 (1985), Love and Rockets #14 (1985), Love and Rockets #15 (1986), Love and Rockets #16 (1986), Love and Rockets #17 (1986), Love and Rockets #20 (1987), Anything Goes! #4 (1987)
Reprinted in Love and Rockets Bonanza! #1 (1989), The Complete Love & Rockets #8 (1989), Love and Rockets #2 (1991), Palomar: The Heartbreak Soup Stories (A Love and Rockets Book) #[nn] (2003), Love and Rockets Library #[4] (2007), Love and Rockets #[4] (2007), Love and Rockets: The Covers #[nn] (2013)
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