The Forever People #1
☆ Be the first to review + Add to your collection — Join freeThe Forever People #1 is the formal debut of one of the most consequential villain introductions in superhero comics: Darkseid receives his first full-page, story-driving appearance here after only brief cameos in Superman's Pal Jimmy Olsen #134–136, establishing the Anti-Life Equation as his driving obsession and setting the template for the mega-villain archetype that DC — and, by acknowledged creative influence, Marvel — would build upon for decades. The issue simultaneously launched the entire cast of the Forever People (Beautiful Dreamer, Big Bear, Mark Moonrider, Serifan, Vykin the Black, and the Infinity Man) and introduced cornerstone Fourth World concepts — the Boom Tube, the Mother Box, and Supertown — that remain active parts of DC mythology today. Vykin the Black, one of the team's founding members, has been cited by historians as arguably the first Black superhero to appear in a DC comic book, predating the John Stewart Green Lantern by several months. As the opening chapter of Jack Kirby's self-contained Fourth World epic, it was also a structural landmark: an early, conscious attempt to tell an interconnected, multi-title, finite narrative across several simultaneous series — a storytelling format that the comics industry would not widely attempt again for well over a decade.
In "In Search of a Dream!", Jack Kirby's cosmic adventure kicks off as the Forever People—Jo, Lightray, Grifter, and the mysterious Beautiful Dreamer—venture from New Genesis to Earth, seeking answers and allies. With Superman's unexpected aid, they race to free Beautiful Dreamer from Darkseid's grasp, unaware of the deeper game unfolding around the Anti-Life Equation. The story unfolds with Kirby's signature dynamism, rendered in bold art by Kirby and inked by Colletta and Plastino, while the cover by Kirby and Giacoia captures the moment with striking intensity.
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We Buy Collections ▸History
After leaving Marvel Comics — frustrated by years of creating characters without retaining copyright or creative control — Kirby accepted an offer from DC publisher Carmine Infantino, who had visited him at home and expressed keen interest in his new mythological concepts. Kirby brought his designs for the New Gods to DC rather than Marvel after Stan Lee wanted to fold them into existing titles instead of letting Kirby develop them independently. The issue was written, penciled, and edited entirely by Kirby, inked by Vince Colletta on interiors (with Frank Giacoia inking the cover), and published on December 1, 1970, carrying a February–March 1971 cover date. DC editorial was uncomfortable with Kirby's rendition of Superman's face and figure, and had veteran artist Al Plastino paste over every Superman and Clark Kent appearance to conform to the house style Curt Swan had established — a decision Kirby found both insulting and commercially counterproductive, since subsequent issues transitioned the correction duties to Murphy Anderson.
Trivia · 10 facts
- First full appearance of Darkseid (his third appearance overall, following cameos in Superman's Pal Jimmy Olsen #134–136); he is depicted sending agents after the Forever People and personally appears to release Beautiful Dreamer after determining she does not hold the Anti-Life Equation.
- First appearance of the entire core Forever People roster: Beautiful Dreamer, Big Bear, Mark Moonrider, Serifan, and Vykin the Black, all debuting as fully formed characters in a single issue.
- First appearance of the Infinity Man, the powerful composite being the five team members summon by combining through their Mother Box.
- First appearance (or first major deployment) of key Fourth World concepts and technology: the Boom Tube interdimensional portal, the Mother Box sentient computer, and Supertown (New Genesis's city of the gods).
- Vykin the Black is cited by comics historians as arguably the first Black superhero to appear in a DC comic book, preceding the John Stewart Green Lantern by several months.
- Superman guest-stars throughout; DC editorial had all of Kirby's Superman and Clark Kent figures pasted over by artist Al Plastino to conform to the house style — a fact not credited in the issue's indicia, which lists only Kirby and Colletta.
- The story, titled 'In Search of a Dream,' was written, penciled, and edited entirely by Jack Kirby, making it his first solo-edited DC production of the Fourth World era; a 'Visit With Jack Kirby' column by Marv Wolfman also appeared in this issue.
- The issue has been collected in multiple formats, including Jack Kirby's The Forever People trade paperback (1999, collecting all 11 issues), the four-volume Fourth World by Jack Kirby hardcover series (2007), and The Fourth World Omnibus (2017, 1,481 pages) and its 2021 expanded reprint.
- Darkseid's visual design was modeled on actor Jack Palance's face, with his personality informed by Adolf Hitler and Richard Nixon, according to multiple sources citing Kirby.
- Darkseid's introduction in this issue directly influenced Jim Starlin's creation of Marvel's Thanos; Starlin's editor Roy Thomas encouraged him to bulk Thanos up to resemble Darkseid after Starlin's initial sketches more closely resembled Metron.
Cast · 10 characters
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Reprints
Reprinted in Super Héros #1 (1979), Super Héros #3 (1979), The Greatest Superman Stories Ever Told #[nn] (1988), The Comic Book in America: An Illustrated History #[nn] (1989), The Greatest Superman Stories Ever Told #[nn] (1989), Jack Kirby's Forever People #[nn] (1999), Jack Kirby's Fourth World Omnibus #1 (2007), Countdown Special: The New Gods #1 (2008), Jack Kirby's Fourth World Omnibus #1 (2011), DC Comics Presents: Darkseid War 100-Page Super Spectacular #1 (2016), DC Comics Graphic Novel Collection #64 (2016), The Fourth World Omnibus by Jack Kirby #[nn] (2018), The Forever People by Jack Kirby #[nn] (2021), Cuentos de Misterio #216, Il Super Eroe #2, Supercomic #338
Key issues in The Forever People
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