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Tales to Astonish #90 cover
Cover: Jack Kirby & Vince Colletta

Tales to Astonish #90

Apr 1967 · Marvel · 0.12 USD
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★ 1st appearance — Emil Blonsky★ 1st appearance — Abomination
About this Issue

Tales to Astonish #90 (April 1967) is one of the most consequential single issues of the Silver Age because it simultaneously introduces two characters of lasting importance: the Abomination, who became one of the Hulk's defining arch-rivals, and the Silver Age return of Byrrah, Namor's scheming Atlantean cousin absent from comics since the Golden Age. The Abomination's debut is structurally bold for the era — a gamma-spawned villain who physically out-powers the Hulk in their very first clash, giving the series a credible new threat at a moment when Lee and Kane were deliberately engineering a foe stronger than the title character. The issue also represents a notable narrative first: it marks the first time the Hulk is knocked unconscious by an opponent, a story beat that raised the dramatic stakes of the entire strip.

Contains 2 stories
To Be Beaten by Byrrah!
12 pp · Superhero

In "To Be Beaten by Byrrah!", Namor finds himself unexpectedly outmatched when his cousin Byrrah, newly favored by the people and council of Atlantis, challenges him to single combat for the throne. With his powers failing at the crucial moment, the Sub-Mariner is stunned as Byrrah defeats him with ease, leaving the future of Atlantis hanging in the balance.

The Abomination!
10 pp · Superhero

In "The Abomination!", the Hulk, unleashed by the Stranger’s manipulation, runs amok while Bruce Banner, consumed by guilt, attempts to end his own life with a gamma machine at Gamma Base. His suicide attempt is thwarted—only for a foreign spy to seize the device and undergo a terrifying transformation into the Abomination, a far more powerful foe than the Hulk. With the giant green warrior defeated, the Abomination escapes, taking Betty Ross captive.

ComicBooks.com Value

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Raw (VG) $32
CGC 9.8 · 10 in census $8,352
CGC 9.6 · 23 in census $2,412
CGC 9.4 · 55 in census $880
CGC 9.2 · 51 in census $684
CGC 9.0 · 66 in census $349
CGC 8.5 · 101 in census $206
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CGC 8.0 · 99 in census $152*
CGC 7.5 · 135 in census $120
CGC 7.0 · 97 in census $120
CGC 6.5 · 98 in census $96
CGC 6.0 · 84 in census $84
CGC 5.5 · 88 in census $71
CGC 5.0 · 68 in census $71
CGC 4.5 · 57 in census $63
CGC 4.0 · 47 in census $50
CGC 3.5 · 23 in census $39*
CGC 3.0 · 17 in census $39*
CGC 2.5 · 5 in census $34*
CGC 2.0 · 2 in census $26*
CGC 1.5 none in existence
CGC 1.0 · 2 in census $20*
CGC 0.5 · 1 in census $20*
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History

Both stories in the issue were scripted by Stan Lee. The Sub-Mariner half ('To Be Beaten by Byrrah!') was penciled and inked by Bill Everett, the character's Golden Age creator, while the Hulk half ('The Abomination!') was drawn by Gil Kane, one of several pencilers who rotated through the notoriously difficult-to-staff Hulk strip during the 1960s. Lee's own account of the Abomination's genesis was characteristically simple: he chose the name because he realized it had never been used for a comics character, then directed Kane to design something bigger and more powerful than the Hulk — essentially reverse-engineering the character's dramatic function before settling on the Cold War spy origin that placed KGB agent Emil Blonsky at Bruce Banner's gamma base. The issue's cover was drawn by Jack Kirby, whose portrait of Byrrah was later reused as that character's Series A Marvel Value Stamp.

Trivia · 8 facts

  • First appearance and origin of the Abomination (Emil Blonsky), created by writer Stan Lee and artist Gil Kane — cover dated April 1967.
  • The Abomination is introduced as a KGB spy who deliberately exposes himself to Banner's gamma-ray projector, receiving a more concentrated dose of radiation than Banner did, leaving him permanently transformed and unable to revert to human form.
  • The issue marks the first time the Hulk is knocked unconscious by an opponent; the Abomination also kidnaps Betty Ross at the story's end.
  • First Silver Age appearance of Byrrah (Sub-Mariner's Atlantean cousin and political rival), whose Golden Age debut was Sub-Mariner Comics #35 (1954).
  • The Sub-Mariner story ('To Be Beaten by Byrrah!') is written by Stan Lee and drawn/inked by Bill Everett; the Hulk story ('The Abomination!') is written by Stan Lee and drawn/inked by Gil Kane; the cover is by Jack Kirby.
  • The letters page ('Mails to Astonish') includes a letter from future Marvel writer Bill Mantlo.
  • The Hulk story from this issue was reprinted in the Simon & Schuster Fireside Books trade paperback Bring on the Bad Guys: Origins of the Marvel Comics Villains (October 1976), placing the Abomination alongside Doctor Doom, the Red Skull, Loki, the Green Goblin, Dormammu, and Mephisto as one of Marvel's defining villain origin stories.
  • The Abomination was adapted into live-action as the main antagonist of The Incredible Hulk (2008, played by Tim Roth), with the character returning in Shang-Chi and the Legend of the Ten Rings (2021) and the Disney+ series She-Hulk: Attorney at Law (2022).

Cast · 11 characters

Full credits

writer Stan Lee
artist, inker Gil Kane
letterer Sammy Rosen
cover pencils Jack Kirby
cover inks Vince Colletta

Reprints

Reprinted in HIP Comics #1941 (1968), HIP Comics #1945 (1968), Hit Comics #41 (1968), Hit Comics #45 (1968), Hit Comics #49 (1968), Hit Comics #51 (1968), Los Vengadores #110 (1968), Hit Comics Die fantastischen Vier #239 (1972), Hit Comics Die Spinne #242 (1972), I Fantastici Quattro #51 (1973), I Fantastici Quattro #52 (1973), The Mighty World of Marvel #38 (1973), L'Uomo Ragno [Collana Super-Eroi] #88 (1973), Eclipso #34 (1973), Marvel Super-Heroes #45 (1974), Die Spinne #19 (1974), Die Spinne #20 (1974), Etranges Aventures #39 (1975), Bring on the Bad Guys: Origins of the Marvel Comics Villains #[nn] (1976), Bring on the Bad Guys: Origins of the Marvel Comics Villains #[nn] (1976), Hulk pocket #1 (1979), Hulk Pocket [Hulk Superseriepocket] #1 (1979), The Incredible Hulk #2 (82559-3) (1979), Der unglaubliche Hulk #1 (1980) + 15 more

Key issues in Tales to Astonish

Variants (1)

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