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Tales to Astonish#49
Cover: Don Heck

Tales to Astonish #49

Nov 1963 · Marvel · 0.12 USD
“The Birth of Giant-Man!”
About this Issue

Tales to Astonish #49 marks the permanent transformation of Henry Pym from Ant-Man into Giant-Man, one of the most consequential power-set expansions of Marvel's Silver Age — it reframed Pym as a character capable of standing alongside Thor and the Hulk on the newly formed Avengers roster rather than serving purely as a diminutive curiosity. The issue simultaneously introduces both the Living Eraser and Dimension Z's ruler, the Supremacy, planting seeds for a corner of the Marvel cosmos that would be revisited across decades. For Janet Van Dyne's arc, the issue is equally significant: it is the first story in which she is equipped with a utility belt dispensing color-coded size-changing capsules, formalizing her as a self-sufficient hero rather than a passenger relying on Pym's formulas. Taken together, these debuts make #49 the definitive pivot point that shaped how Pym and Van Dyne would be depicted — and revised, and argued over — for the rest of Marvel history.

In "The Birth of Giant-Man!", Henry Pym pushes the limits of his size-altering technology when he's kidnapped by the Eraser and taken to the mysterious Dimension Z, where he's forced to work with other scientists on deadly atomic weapons. With his new giant form, Pym fights back against his captors, proving his strength and ingenuity in a high-stakes battle for survival. Written by Stan Lee and brought to life with dynamic art by Jack Kirby and Don Heck, this landmark issue introduces Giant-Man in a story that blends scientific ambition with daring adventure. The cover, also by Don Heck, captures the moment of transformation with striking intensity.

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writer Stan Lee · artist Jack Kirby · inker Don Heck · letterer S. Rosen · cover Don Heck

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History

The lead story, 'The Birth of Giant-Man!,' was written by Stan Lee, penciled by Jack Kirby, and inked by Don Heck, with lettering by Sam Rosen; the cover was drawn by Don Heck with inks credited to Dick Ayers. Kirby's return to the strip for this issue was notable — he had been absent from the title since issue #40, with Don Heck handling art duties in the interim — and his reappearance signaled editorial intent to give the relaunch some visual weight, much as Lee and Kirby had been reunited on Thor's title for comparable upgrade moments. According to the U.S. Copyright Office filing cited in the Grand Comics Database, the issue's on-sale date was August 1, 1963, though it carried a November 1963 cover date and a 12-cent cover price. One clear creative context for the change is Pym's membership in the Avengers: with the team's roster including Thor, Iron Man, and the Hulk, the in-story motivation for Pym to extend his enlargement formula beyond normal height is made explicit in the narrative itself.

Trivia · 8 facts

  • First appearance of Henry Pym as Giant-Man (previously operating as Ant-Man since Tales to Astonish #35, 1962); the story is titled 'The Birth of Giant-Man!'
  • First appearance of the Living Eraser (real name Cutza), an interdimensional agent of Dimension Z who 'erases' — actually teleports — victims to a parallel universe; named only 'the Eraser' within the story's interior pages, with 'Living Eraser' appearing on the cover.
  • First appearance of the Supremacy, ruler of Dimension Z, who dispatches the Living Eraser to abduct atomic scientists from Earth.
  • First issue in which Pym's size-changing compounds are reformulated from gas into color-coded capsules dispensed by a wearable belt — a new detail also applied to Janet Van Dyne's Wasp equipment, formalizing her independent access to size-changing.
  • The lead story is also notable as the first Giant-Man/Ant-Man tale in which ants play no role in the plot.
  • Credits: script by Stan Lee; pencils by Jack Kirby; inks by Don Heck; cover by Don Heck (inks) and Jack Kirby / Dick Ayers; letters by Sam Rosen; on-sale August 1, 1963, cover-dated November 1963.
  • The Living Eraser returned in Marvel Two-in-One #15 (May 1976, featuring the Thing and Morbius), and a successor Living Eraser appeared in Sensational She-Hulk #35 and #37.
  • The lead story has been reprinted multiple times, including: Marvel Tales Annual #1 (1964), Essential Ant-Man #1 (2002, black-and-white), Marvel Masterworks: Ant-Man/Giant-Man Vol. 1 (2006/2013), Ant-Man/Giant-Man Epic Collection Vol. 1: The Man in the Ant Hill (2015), and True Believers: Ant-Man and the Wasp — The Birth of Giant-Man #1 (August 2018).

Cast · 6 characters

Full credits

writer Stan Lee
artist Jack Kirby
inker Don Heck
letterer S. Rosen
cover pencils, inks Don Heck

Full plot ⚠ may contain spoilers

▸ Reveal full plot — may contain spoilers

While Henry Pym develops capsules that permit him to become giant-size as well as ant-size, the Eraser captures him and brings him to Dimension Z along with other scientists to build atomic weapons. Giant-Man defeats their captors and rescues the scientists.

Plot details indexed by the Grand Comics Database (CC BY-SA).