Solo #7
In "An Hour with Hourman," Michael Allred and Lee Allred deliver a sharp, stylish dive into the moral gray zones of heroism, as Batman and Robin take down the Riddler and Sunshine. With the weight of Gotham’s shadows pressing in, Dick’s unexpected connection to Sunshine sparks questions about justice, identity, and what it truly means to be a hero—especially when the line between light and darkness starts to blur. The Allreds’ signature art style, rendered in vibrant colors by Laura Allred and lettered by Nate Piekos, brings a playful yet poignant energy to a story that lingers long after the final page.
When the Teen Titans throw a wild party in Bruce Wayne’s penthouse, the noise ripples down to Elasti-Girl’s apartment—where the Doom Patrol is trying to relax. What starts as a simple case of bad acoustics quickly spirals into a chaotic clash of egos, powers, and very different ideas of fun.
In "Batman A-Go-Go!", Batman and Robin take down the Riddler and Sunshine, but when Dick decides to date Sunshine, the dynamic shifts. Commissioner Gordon pushes Batman to embrace a darker path, leaving questions about Aunt Harriet’s fate—and whether Robin’s actions were truly his own. The story lingers on the tension between light and darkness, playfulness and vengeance, without offering answers.
Orion challenges Mister Miracle to an absurdly deadly escape: can he break free from a fuel-soaked body bag, manacled and unconscious, with a plastic bag over his head and coated in Atomic Glue—just to survive being tossed into molten lava? The stakes are high, the odds impossible, and the question lingers: can even a master escape artist triumph against such a grotesque, over-the-top trap?
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Reprints
Reprinted in Wizmania #1 (2008), Wizmania #3 (2008), DC Comics Presents: The Teen Titans #1 (2011), Solo: The Deluxe Edition #[nn] (2013), Batman '66 Omnibus #[nn] (2018)
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