Police Comics #14
☆ Be the first to review + Add to your collection — Join freeIn "Oh, Plastic Man!", the hero of the title takes center stage in a 1942 mystery that unfolds at a high-stakes opera, where a deadly spring needle claims a producer’s life. With the villainous Cobra and his enigmatic pet King on the move, Plastic Man must navigate a web of deception, even as Thor is felled by gunfire—only to be saved by a dog’s desperate loyalty. Art by Vern Henkel brings the action to life, while Gill Fox’s cover captures the tension with a striking, shadowed image of the masked threat.
Plastic Man goes undercover to infiltrate a black market racket run by ruthless criminals, while his unwitting partner Woozy Winks stumbles into a sinister "retirement home" that's actually a front for something far more sinister. As the operation unravels, the two find themselves entangled in a wartime conspiracy that reaches far deeper than either expected, with danger lurking at every turn.
In "The Mark of the Cobra," a masked criminal strikes from the shadows of a grand opera house, leaving a trail of poison and panic. When the heroic Manhunter is wounded and his loyal dog, King, makes a desperate charge to save him, the true identity of the villain begins to unravel in the dark—just as the hero regains consciousness.
In this 1942 tale from Police Comics #14, former chemistry teacher Jo turns to madness, crafting an invisibility cloak and a disintegrating light gun to terrorize the city. When he targets the Human Bomb as the Chameleon, his own obsession leads to a fatal mistake—his final encounter with Roy's bare skin.
When the dying financier Eldas Thayer refuses to save his niece's life with a simple donation, The Spirit confronts him—but Thayer has a darker plan in mind, setting a trap that will frame the hero for murder. Now hunted by the police and Commissioner Dolan, The Spirit must evade a citywide dragnet while racing to donate his own blood and save the girl's life. It's a tale of sacrifice, duty, and the cost of doing good when the world believes you guilty.
In "The Escape of Goon McGirk," the brutal aftermath of a prison fight unfolds when racketeer Oscar Jones, driven by pride and violence, shoots and kills the inmate known as #711. The story captures the raw tension of a moment where loyalty and survival collide, as the wounded Dyce makes one final stand despite being outmatched and outnumbered.
When a prominent theater producer is murdered during a packed opera performance, police reporter Chic Carter must untangle a web of theatrical ambition and deception—a case complicated by the presence of Julio, a flamboyant actor who becomes the prime suspect. As the investigation deepens, Carter discovers a hidden murder device and a crucial piece of evidence that points toward a very different killer with a grudge against both the victim and the actor. The truth emerges in a tense game of cat-and-mouse that plays out across the opera house itself, where ambition and madness collide in the final act.
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↩ Reprints The Spirit #7/21/1940 (1940)
Reprinted in Batman #238 (1972), Plastic Man Archives #1 (1999), Roy Thomas Presents Classic Phantom Lady Softee #1 (2013), Roy Thomas Presents Classic Phantom Lady #1 (2013), DC Finest: Plastic Man: The Origin of Plastic Man #[nn] (2025)
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