Marvel Masterworks: The Uncanny X-Men #15
☆ Be the first to review + Add to your collection — Join freeIn "Justice for All!", Fred Hembeck takes the spotlight as host of his own show, bringing together a lineup of heroes for candid conversations about their lives and battles. Through playful "clips" that unfold as standalone stories, each hero’s journey is spotlighted in a format that’s both inventive and full of heart. With Hembeck handling writing, art, inks, and letters, and Greg Wright on colors, the issue pulses with personality—while Marc Silvestri and Dan Green (with Joe Rubinstein) deliver a dynamic cover that captures the energy of the moment.
In "Justice for All!", the Avengers race to prevent catastrophe as a massive meteor hurtles toward Earth, only to find their efforts complicated when Magneto, recognizing the second impact as a fragment of Asteroid M, abandons the X-Men to retrieve remnants of his past. As both the Avengers and Soviet Super-Soldiers converge on the site, tensions rise over who has the right to claim what’s left of the wreckage.
In "Uneasy Allies," Magneto races against time to retrieve crucial circuitry from his abandoned base on Asteroid M, pursued by both the Avengers and the Soviet Super-Soldiers. When the X-Men arrive, old tensions flare as allies and enemies collide in a chaotic scramble for control. Maggie plays a pivotal role, recovering Magneto’s long-lost helmet and key components from the wreckage of his fallen stronghold.
In "Day of Judgement!", Magneto, sheltered by a hidden network of mutants in Singapore, makes a bold move to end the escalating conflict by surrendering to the World Court. With newly acquired technology at his disposal, he attempts to sway the tribunal and prevent a full-scale race war, but his efforts only ignite a surge of anti-mutant fury across the globe.
In "Lost in the Funhouse," the X-Men are captured by the powerful Horde, who forces them to infiltrate the mystical Citadel of Light and Shadow to claim the Crystal of Ultimate Vision—his key to godhood. As they navigate the fortress, each mutant faces their deepest desires and temptations, testing their resolve. When Wolverine finally confronts Horde in the crystal's chamber, a single drop of his blood awakens the artifact—ushering in a transformation he never expected.
In "The Dark Before the Dawn," Storm arrives at Forge's Aerie only to stab him in a moment of tragic misunderstanding, realizing too late that he was the true hero and Naze the betrayer. With Mystique's chilling warning echoing—Destiny has foretold the X-Men’s deaths in Dallas—the team must confront a looming threat they can't yet see.
In "False Dawn!", Colossus returns to the X-Men just as the team arrives in Dallas to find Storm, only to be met by the Freedom Force, who stand in their way to prevent the fulfillment of Destiny's ominous prophecy. The tension mounts as old alliances are tested and the line between fate and free will begins to blur.
In "Go Tell the Spartans," the X-Men join forces with the Freedom Force to confront the Adversary's escalating chaos wave threatening Dallas. After Storm and Forge return from the Adversary's realm, Forge works to restore Storm's powers, setting the stage for a desperate stand against an unseen force.
In "Down Under," the X-Men track the Reavers from a bank heist in Singapore to the vast Australian outback, where they confront the mercenaries and seize their base. As tensions rise, the enigmatic Roma arrives, summoning the Reavers into the mysterious Siege Perilous.
In "Dressed for Dinner!", Colossus is whisked to Limbo by Gateway, where he must confront his sister’s belief that he’s returned from the dead—while together they race to rescue the New Mutants from the clutches of S'ym and Baba Yaga.
In "When Titans Plug!", Fred Hembeck’s satirical talk show turns the spotlight on a group of superhero titans, blending mockumentary flair with absurdly over-the-top clips of their daily exploits. As Fred hosts with his trademark deadpan charm, the story unfolds through a series of exaggerated, self-referential vignettes that parody the genre’s most iconic moments—no real plot, just pure, playful superhero satire.
In a quiet moment of grief, the New Mutants grapple with the loss of Cypher, their bond tested as Mirage struggles with guilt and Magik burns with the need for retribution. Across the world in Scotland, Nightcrawler and Kitty Pryde face their own sorrow, believing the X-Men are gone—until a whisper of hope stirs in the silence.
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↩ Reprints Marvel Age Annual #3 (1987), The Best of Marvel Comics #1 (1987), X-Men Annual #11 (1987), The X-Men vs. the Avengers #1 (1987), The X-Men vs. the Avengers #2 (1987), The X-Men vs. the Avengers #3 (1987), The X-Men vs. the Avengers #4 (1987), The Uncanny X-Men #220 (1987), The Uncanny X-Men #221 (1987), The Uncanny X-Men #222 (1987), Marvel Fanfare #35 (1987), The Uncanny X-Men #223 (1987), The Uncanny X-Men #224 (1987), The Uncanny X-Men #225 (1988), The Uncanny X-Men #226 (1988), The Uncanny X-Men #227 (1988), The Uncanny X-Men #228 (1988), The Uncanny X-Men #229 (1988), The Uncanny X-Men #230 (1988), The Uncanny X-Men #231 (1988)
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