Biblioteca Marvel: Spiderman #3
In "La amenaza de... ¡Misterio!," Spiderman answers the circus's bold challenge to appear live at the Crime Circus, only to find himself hypnotized along with the crowd—though not before Daredevil, immune to the Ringmaster's tricks, steps in to help. Written by Stan Lee and Santiago García, with art by Steve Ditko and lettering by Mónica Carrión, this 2003 issue delivers a classic web-slinger mystery with a circus twist, all captured in Ditko’s distinctive cover art.
In "La amenaza de... ¡Misterio!", the mysterious villain masquerades as Spiderman, plunging New York into chaos with a wave of crimes that twist the hero’s reputation. When the real Spiderman finally confronts the impostor, the tension escalates to a showdown atop the Brooklyn Bridge.
In "La grotesca aventura de... el Duende Verde," the Green Goblin enlists the Forzadores to take down Spider-Man, orchestrating a wild movie shoot in the desert with B.J. Cosmos behind the camera. As filming unfolds, the chaos of the stunt turns real when the Goblin and his henchmen attack Spider-Man—unintentionally awakening the Hulk in the process.
In "Duelo con Daredevil," when the Circus of Crime announces Spider-Man’s appearance to draw a crowd—only to plan a robbery—Spidey shows up to confront the stunt. Trapped in a hypnotic spectacle meant to subdue the web-slinger, he’s saved by Daredevil, whose immunity to the Ringmaster’s hat turns the tide in a circus-side showdown.
In "Los Seis Siniestros!", Dr. Octopus assembles a dangerous team of Spider-Man's classic foes, uniting them in a bold scheme that puts Betty Brant and Aunt May in peril. With the web-slinger forced to confront this formidable alliance, the stakes rise as he races to save his loved ones—before the villains' plan unfolds.
In "El Regreso del Duende Verde!" from *Biblioteca Marvel: Spiderman #3*, Spiderman finds himself caught in a chaotic showdown at a Flash Thompson–hosted fan club gathering when the Green Goblin suddenly appears. With the Human Torch on hand to lend a hand, the battle takes a personal turn when Spiderman learns his Aunt May has been hospitalized—prompting him to leave the fight, leaving the crowd convinced he’s fled in fear.
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↩ Reprints The Amazing Spider-Man #12 (1964), The Amazing Spider-Man #13 (1964), The Amazing Spider-Man #14 (1964), The Amazing Spider-Man #15 (1964), The Amazing Spider-Man #16 (1964), The Amazing Spider-Man Annual #1 (1964), The Amazing Spider-Man #17 (1964)
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