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The Amazing Spider-Man #14 cover
Cover: Steve Ditko

The Amazing Spider-Man #14

Jul 1964 · Marvel · 0.12 USD
📊 ~106,778 copies sold its debut month
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“The Grotesque Adventure of the Green Goblin!”
★ 1st appearance — Norman Osborn★ 1st appearance — Green Goblin
About this Issue

The Amazing Spider-Man #14 (July 1964) is one of the most consequential single issues of the Silver Age, delivering the debut of the Green Goblin — the villain who would grow into Spider-Man's defining archenemy and whose rivalry would eventually produce some of the most emotionally devastating moments in mainstream comics history, including the death of Gwen Stacy. The issue also marks the first encounter between Spider-Man and the Hulk, a crossover that doubled as the Hulk's final guest appearance before landing his own ongoing serial in Tales to Astonish, making it a small but genuine pivot point in the broader Marvel Universe's expansion. From a narrative craft standpoint, Ditko's deliberate choice to show the Goblin only twice without his mask — and never to reveal his face — launched one of the longest-running mystery subplots of the Lee-Ditko era, a 'who is the Goblin?' thread that kept readers engaged across more than two years and 25 issues. The issue also exemplifies Marvel's interconnected storytelling ambition at its most playful: a single story wove together a new costumed schemer, a returning street-level gang, a Hollywood satire, a desert chase, and an unexpected guest-star, all within 36 pages.

In "The Grotesque Adventure of the Green Goblin!", Spider-Man faces his most devious foe yet as the Green Goblin enlists the Enforcers and manipulates filmmaker B.J. Cosmos into capturing their clash in a desert movie set. With Steve Ditko’s iconic art bringing every twisted twist to life and Stan Lee’s sharp storytelling driving the chaos, this landmark 1964 issue delivers a wild, unexpected turn when the filming triggers an ancient force—unleashing the Hulk in the middle of the action.

writer Stan Lee · artist, inker Steve Ditko · colorist Stan Goldberg · letterer Art Simek · cover Steve Ditko

ComicBooks.com Value

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Raw (VG) $1,049
CGC 9.8 · 2 in census $145,639
CGC 9.6 · 29 in census $39,006
CGC 9.4 · 32 in census $22,278
CGC 9.2 · 64 in census $15,703
CGC 9.0 · 97 in census $11,344
CGC 8.5 · 151 in census $6,546
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CGC 8.0 · 191 in census $5,445
CGC 7.5 · 276 in census $4,133
CGC 7.0 · 309 in census $3,994
CGC 6.5 · 314 in census $2,895
CGC 6.0 · 288 in census $2,470
CGC 5.5 · 316 in census $2,146
CGC 5.0 · 444 in census $1,829
CGC 4.5 · 450 in census $1,771
CGC 4.0 · 480 in census $1,336
CGC 3.5 · 403 in census $1,336
CGC 3.0 · 414 in census $1,177
CGC 2.5 · 310 in census $1,177
CGC 2.0 · 204 in census $889
CGC 1.5 · 117 in census $739
CGC 1.0 · 67 in census $739
CGC 0.5 · 142 in census $511
Our model’s value — refined as new sales data arrives · CGC census counts shown where available
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History

The issue was written by Stan Lee, drawn and co-plotted by Steve Ditko, and lettered by Art Simek — the same core team responsible for the entire Lee-Ditko run of 38 issues. Crucially, the Green Goblin as he appeared in print was fundamentally Ditko's creation, not Lee's: according to Ditko's own published account, Lee's original synopsis imagined a movie crew unearthing an Egyptian sarcophagus from which an ancient mythological demon — the Green Goblin — emerged, whereas Ditko rejected that concept outright and independently redesigned the character as a masked human villain with a technological edge, a choice that gave the character the ambiguity and long-term narrative potential he ultimately delivered. The question of who that human villain actually was became a source of creative friction between the two men: Lee wanted the Goblin's secret identity to be someone already known to readers (ultimately Norman Osborn), while Ditko preferred a stranger whose unmasking would mirror the unpredictability of real-life crime; the dispute remained unresolved when Ditko departed Marvel after issue #38, and the reveal fell to incoming artist John Romita Sr. in issue #39.

Trivia · 8 facts

  • First appearance of the Green Goblin, one of Spider-Man's three principal archenemies, created in his human-villain form by Steve Ditko after he rejected Stan Lee's original concept of a supernatural demon.
  • First meeting of Spider-Man and the Hulk; the Hulk's presence in the issue also marks his last guest appearance in a crossover before he received his own ongoing feature in Tales to Astonish.
  • Story title: 'The Grotesque Adventure of the Green Goblin.' Written by Stan Lee, penciled and co-plotted by Steve Ditko, lettered by Art Simek. Cover by Steve Ditko. Published July 1964.
  • The Green Goblin's face is deliberately obscured in every panel — shown only twice without the mask, and never identifiably — inaugurating an over-two-year mystery subplot that was not resolved until Amazing Spider-Man #39 (the first issue drawn by John Romita Sr.), where the Goblin is revealed to be Norman Osborn.
  • In this debut appearance, the Goblin rides a rocket-powered mechanical broomstick rather than the Goblin Glider associated with later stories; pumpkin bombs are also absent, and his weapons include stun grenades and an exhaust blast capable of burning through Spider-Man's webbing.
  • The Goblin's scheme involves recruiting the Enforcers (Fancy Dan, Montana, and Ox) and luring Spider-Man to Hollywood under the pretense of starring in a movie, intending to defeat him on camera and broadcast the humiliation to New York's criminal underworld.
  • The story contains a noted in-panel error: the Goblin addresses the three Enforcers as 'the four of you,' an uncorrected mistake preserved in the original printing.
  • The issue has been reprinted in Marvel Tales #9 and #152, in the Amazing Spider-Man Epic Collection: Great Power, in Marvel Masterworks: Amazing Spider-Man Vol. 2, and as a Marvel Facsimile Edition (with original ads) and a True Believers reprint (without original ads).

Cast · 11 characters

Full credits

writer Stan Lee
artist, inker Steve Ditko
colorist Stan Goldberg
letterer Art Simek
cover pencils, inks Steve Ditko

Reprints

Reprinted in El Sorprendente Hombre Araña #20 (1964), Marvel Tales #9 (1967), Pow! #32 (1967), Marvelserien #39 (1970), Hit Comics #144 (1970), Marvel #9 (1970), Spider-Man Comics Weekly #6 (1973), Die Spinne #16 (1974), Marvel Treasury Edition #1 (1974), The Amazing Spider-Man #15 (1975), Une Aventure de l'Araignée #1 (1977), The Amazing Spider-Man #188-189 (1978), The Amazing Spider-Man #3 (82579-8) (1979), El Hombre Araña / El Asombroso Hombre Araña #13 (1980), Marvel Tales #152 (1983), The Marvel Saga the Official History of the Marvel Universe #13 (1986), Marvel Masterworks #5 (1988), Marvel #8/1990 (1990), Edderkoppen klassikere #1/1990 (1990), Marvels Abonnements-blad #1 (1992), Spider-Man Classic #8 (1994), Spider-Man Classics #15 (1994), The Essential Spider-Man #1 (1996), Spider-Man Komplett #14 (1999) + 25 more

Key issues in The Amazing Spider-Man

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