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A complete, restored issue of Judge from 1897-11-20 — all 16 pages of color political cartoons and topical humor, free to page through at comicbooks.com.

On the cover: # "Gosh, Hang It! I'm Bunco'd Again" This 1897 Judge cartoon by Victor Gillam depicts Uncle Sam (the tall figure in striped pants and starred hat) being swindled on a city street. He's dropped money labeled "Union Gold Brick" and "Bonds" while clutching a bag of valuables. Other figures around him appear to be con artists or pickpockets in a urban setting. The "bunco" (confidence game/swindle) reference suggests satire about financial fraud or economic schemes affecting the nation. The cartoon likely criticizes either specific financial scandals of the 1890s era or broader concerns about corruption and schemes targeting American interests. The "gold brick" reference—a classic con involving fake gold—reinforces the swindling theme.

🖼️ Every page has a plain-English note on what you’re looking at — the figures, the references, the point of the satire.

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A complete issue · 16 pages · 1897

Judge — November 20, 1897

1897-11-20 · Free to read

Judge — November 20, 1897 — page 1
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# "Gosh, Hang It! I'm Bunco'd Again" This 1897 Judge cartoon by Victor Gillam depicts Uncle Sam (the tall figure in striped pants and starred hat) being swindled on a city street. He's dropped money labeled "Union Gold Brick" and "Bonds" while clutching a bag of valuables. Other figures around him appear to be con artists or pickpockets in a urban setting. The "bunco" (confidence game/swindle) reference suggests satire about financial fraud or economic schemes affecting the nation. The cartoon likely criticizes either specific financial scandals of the 1890s era or broader concerns about corruption and schemes targeting American interests. The "gold brick" reference—a classic con involving fake gold—reinforces the swindling theme.

Judge — November 20, 1897 — page 2
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# "Barn-Yard Bitterness" This cartoon depicts a confrontation between two geese or ducks, with one asking "Whether cryin' fer?" and the other responding "Oh, everything's down on me!" The image serves as visual commentary on complaint and blame-shifting. The farmyard setting uses animal characters—a common satirical device—to mock human behavior, likely targeting public figures or social groups who habitually blame others for their misfortunes rather than accepting responsibility. The crude, exaggerated animal expressions emphasize the foolishness of perpetual grievance-mongering. Without additional context from the specific historical moment, the exact targets remain unclear, but the satire generally mocks victimhood mentality and scapegoating among those seeking sympathy.

Judge — November 20, 1897 — page 3
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# Judge Magazine Page Analysis This page satirizes turn-of-the-century gender politics, specifically women's emerging demands for independence and mobility. The central cartoon shows Mrs. Wickham (likely a stock character) being caught at a circus—suggesting impropriety—with the caption "Don't try to look innocent to me, young man. The very cleanliness of your mouth tells me you've been at that jar of cold cream again!" The surrounding comics feature "Mrs. Holmsdiddle" and "Mr. Holmsdiddle" debating whether women should ride bicycles. The husband resists; the wife insists, ultimately demanding a wheel to avoid being confined at home while other women enjoy this new freedom. The satire targets both women's growing independence (bicycles represented radical mobility) and husbands' anxieties about losing control. "Jack proved an invaluable ally" suggests unexpected male support for women's rights.

Judge — November 20, 1897 — page 4
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# Judge Magazine Page Analysis This page contains several satirical pieces typical of early 20th-century American humor: **"Not in It"** mocks the celebration of English as the "mother tongue" while completely ignoring fathers' linguistic contributions—a lighthearted gender critique. **"Exposed"** tells of a charming man at a resort who captivates women until a woman finds a *safety pin* in his handkerchief, revealing he's a married man from Brooklyn. The satire targets both masculine deception and the shallow romanticism of resort culture. **"The Foot-Ball Player's Advantage"** presents a heavenly scene where a half-back's tackling skills literally drive someone into hell's lake of fire—absurdist satire on football's violence. **"Statistically Mild"** defends football's safety by claiming more Americans die annually from cyclones than football injuries—dark humor about statistics being used to minimize genuine dangers. The page reflects early 20th-century preoccupations: gender relations, suburban domesticity (Brooklyn), and the emerging brutality of American football.

Judge — November 20, 1897 — page 5
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Judge — November 20, 1897 — page 6
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Judge — November 20, 1897 — page 7
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Judge — November 20, 1897 — page 16
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Browse this issue page by page

Each page has its own page — the cartoon, who’s in it, and what the satire means.

  1. Page 1 # "Gosh, Hang It! I'm Bunco'd Again" This 1897 Judge cartoon by Victor Gillam depicts Uncle Sam (the tall figure in striped pants and starred hat) being swindle…
  2. Page 2 # "Barn-Yard Bitterness" This cartoon depicts a confrontation between two geese or ducks, with one asking "Whether cryin' fer?" and the other responding "Oh, ev…
  3. Page 3 # Judge Magazine Page Analysis This page satirizes turn-of-the-century gender politics, specifically women's emerging demands for independence and mobility. The…
  4. Page 4 # Judge Magazine Page Analysis This page contains several satirical pieces typical of early 20th-century American humor: **"Not in It"** mocks the celebration o…
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