Where Creatures Roam #7
☆ Be the first to review + Add to your collection — Join freeIn "The Glop," a 1971 Marvel comic, scientists attempt to boost human intelligence through radical surgery—only to find their subject, a monkey, far more capable than they anticipated. Written by Stan Lee and Larry Lieber, with art by Paul Reinman and lettering by Artie Simek, the story takes a surprising turn when the monkey is returned to his natural state, revealing unexpected consequences. The cover, a dynamic collaboration by Jack Kirby, Marie Severin, and Dick Ayers, captures the moment with bold, otherworldly energy.
In "The Glop," a young artist is hired to coat a mysterious statue with a strange, shimmering paint—only to discover that at midnight, the statue comes alive and begins a silent rampage. As the night unfolds, the painter realizes the creature is no mere sculpture, but a living agent of an alien invasion, and she must use her wits and a surprising tool—turpentine—to stop it before it’s too late.
In a quiet corner of a 1971 science fiction anthology, a monkey lies in Room 30, the unexpected subject of a radical experiment to unlock genius. The doctors, hopeful that enhanced cognition could save humanity, are left disillusioned when the procedure fails to deliver the answers they sought. Now, faced with the limits of their ambition, they let the patient return to what he was—naturally, quietly, perhaps more aware than they ever imagined.
In "Will This Be the End of the World?", a baseball player’s mitt becomes an unlikely refuge when a tiny civilization, unaware of the danger, prepares to launch their entire world into space—just as a speeding baseball hurtles toward them. The story unfolds with quiet tension, as the fate of an entire miniature society hangs in the balance, all within the palm of a human hand.
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Reprints
↩ Reprints Journey into Mystery #72 (1961)
Reprinted in Edderkoppen #2/1973 (1973), Super Giant #8 (1974), Monster Masterworks #[nn] (1989)
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