Super Giant #8
☆ Be the first to review + Add to your collection — Join freeIn Super Giant #8 (1974), a painter takes on a peculiar job—coating a mysterious statue with strange paint—only to discover it comes alive at midnight and begins a midnight rampage. Written by Stan Lee and Larry Lieber, with dynamic art by Jack Kirby and inks by Dick Ayers, this issue blends surreal menace with a clever twist: the key to stopping the statue lies not in force, but in the right solvent. The cover, penciled by Kirby and inked by Vince Colletta, captures the eerie moment just before the statue awakens.
In "The Glop," a struggling artist named Jo is hired to paint a mysterious statue, unaware that the job will unleash something far beyond canvas and brush. When the statue comes to life at midnight, its sudden rampage forces Jo to confront a creature that's not quite alive—and not quite dead—before it can signal its alien masters. Written by an unknown hand and illustrated by an unknown artist, this 1974 sci-fi tale turns a simple commission into a midnight nightmare of paint, peril, and a surprisingly effective cleanup.
In "Kragoo!", an alien soldier with the power to possess and hypnotize Earth's population is sent to conquer a planet—only to be trapped inside a statue when his possession goes awry. Now stranded on Earth, his only chance to regain control lies in finding a new host before his power fades.
In "Abandoned on Earth!", Thor is stripped of his godly powers by Odin—left with only his Asgardian strength—after defying the All-Father’s command to return home. Now vulnerable and alone, he’s manipulated by the Ringmaster into joining the Circus of Crime, where his strength becomes a weapon for a new kind of chaos.
In "I Am the Man Without a Face," a bigoted man’s cruelty spirals into a lifelong curse when a gypsy’s wrath seals his fate: he can never take off the black hood that now hides his face, a constant shadow of the hate he once wielded. The story unfolds with quiet dread, turning a moment of mob violence into a haunting meditation on guilt and consequence.
In "I Am… Gorak," a legendary magician named Gorak, whose fame is unmatched, snaps when doubted—only to declare that the entire world is a lie, and he alone is real. Facing down the reader with chilling certainty, he vanishes as abruptly as he appeared, leaving only the echo of his claim.
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↩ Reprints Nyoka the Jungle Girl #56 (1951), Strange Tales #71 (1959), Journey into Mystery #65 (1961), Tales of Suspense #14 (1961), Thor #143 (1967), Thor #144 (1967), Thor #145 (1967), Where Creatures Roam #7 (1971)
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