Ultimate X-Men #11
☆ Be the first to review + Add to your collection — Join freeUltimate X-Men #11 is a pivotal chapter in Peach Momoko's groundbreaking reimagination of Marvel's mutant franchise — a series that deliberately jettisons X-Mansion trappings, Sentinels, and legacy figures like Wolverine and Cyclops in favor of a Japan-set, horror-tinged coming-of-age story. The issue crystallizes the series' core tension by staging the first significant confrontation between Hisako Ichiki (Armor) and Kanon Sainouchi (this universe's Psylocke), while also advancing the threat of Shinobu Kageyama's Shadow King and cementing Mei Igarashi (Maystorm) as a rallying leader for disenfranchised mutants — all rendered in Momoko's wholly original watercolor visual language. By stripping the X-Men concept down to its emotional DNA — outcasts who are feared and alone — and rebuilding it through manga-inflected body horror and Japanese youth culture, this run (with #11 as one of its key escalation points) represents one of the most formally adventurous X-Men comics ever published under the Marvel banner.
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We Buy Collections ▸History
The 2024 Ultimate X-Men series was conceived when Marvel Editor-in-Chief C.B. Cebulski and architect Jonathan Hickman selected Peach Momoko — an Eisner Award-winning cover artist celebrated for her Demon Days 'Momoko-verse' — to helm the X-Men title in the relaunched Ultimate Universe, explicitly because they wanted something radically different from anything the franchise had done before. Momoko writes and fully paints each issue in watercolor, with Zack Davisson (her longtime collaborator on Demon Days) adapting her Japanese-language scripts into English. The series drew creative inspiration from sources including Puella Magi Madoka Magica, Serial Experiments Lain, Kamen Rider, and Devilman, and Momoko has cited Japanese manga body horror — in the vein of Junji Ito — as a deliberate tonal ingredient woven throughout. The character Maystorm, who becomes a focal point of issue #11, originated as a design Momoko created for a variant cover of the 2021–2024 X-Men #27 as part of Marvel's 'New Champions' initiative before graduating into an ongoing starring role.
Trivia · 8 facts
- Written, drawn, and painted entirely by Peach Momoko, with English script adaptation by Zack Davisson and lettering by Travis Lanham; edited by Wil Moss under Editor-in-Chief C.B. Cebulski.
- Cover-dated March 2025 with an on-sale date in late January/early February 2025; the issue is set on Earth-6160, Marvel's new Ultimate Universe continuity.
- Issue #11 features the first meaningful combat confrontation between Hisako Ichiki (Armor) and Kanon Sainouchi, this universe's Psylocke — an older classmate and descendant of Sai, the psychic swordswoman from Momoko's Demon Days saga.
- Kanon Sainouchi/Psylocke's lineage connecting her to Momoko's Demon Days character Sai gained additional cultural traction when it was reported that the default Psylocke design in the popular video game Marvel Rivals is drawn directly from Momoko's Sai/Demon Days artwork.
- Maystorm (Mei Igarashi) takes a leadership step in this issue, beginning to assemble her own team of mutants to liberate those caught up in the Children of the Atom cult — a key character development establishing her as the series' deuteragonist.
- The Shadow King (Shinobu Kageyama) appears with what reviewers described as a storybook-horror aesthetic, part of the series' ongoing reinvention of classic X-villains through a J-horror and manga body-horror lens.
- The character Maystorm was originally designed by Momoko for the variant cover of X-Men #27 (2021–2024 series) as part of Marvel's 'New Champions' cover project before becoming a full in-story character; she was the first 'New Champions' design to appear in an actual narrative.
- Issue #11 is collected in the trade paperback Ultimate X-Men by Peach Momoko Vol. 2: Children of the Atom, alongside issues #7–12 of the 2024 series.
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Reprinted in Ultimate X-Men by Peach Momoko #2 (2025)
Key issues in Ultimate X-Men
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