Tony Chu, détective cannibale #3
In Tony Chu, détective cannibale #3, the investigation into Montero Industries deepens as Tony and John dive into the controversial Poultplus chicken substitute, uncovering secrets that lead straight to a tense showdown with Ceasar Valenzano in Montero’s office. With the FDA raid exposing Ceasar’s true allegiance, the case takes a sharp turn as John follows a trail to Mason Savoy’s private residence, setting the stage for a high-stakes confrontation. Written by John Layman and illustrated by Rob Guillory—whose distinctive art brings every unsettling detail to life—this issue blends investigative tension with the series’ signature blend of noir and the bizarre. The cover, also by Rob Guillory, captures the moment’s intensity with sharp, expressive lines.
In a story that weaves corporate intrigue with the strange powers of a cannibal detective, Tony Chu and John Colby uncover a web of deception at Montero Industries, where a new chicken substitute hides more than just protein. When the investigation leads them to a tense confrontation with Caesar Valenzano and a hidden Mason Savoy, loyalties are tested and secrets begin to unravel—just as the FDA moves in.
In a tense flashback, Tony Chu confronts the lingering shadows of his past through memories of his former girlfriend, revealing the roots of his emotional distance from Amelia Mintz. With Mason Savoy cornered by the FDA, his escape sets off a chain reaction—Caesar Valenzano feeds him crucial intel, and Mason, now more determined than ever, vows to escalate his campaign against Tony.
Tony Chu returns home for Thanksgiving, hoping for a quiet meal with his family—only to have the evening upended when John Colby shows up unannounced, bringing Amelia Mintz with him. As the table fills and the first course is served, a sudden crash outside sends everyone rushing out, where they’re stunned by alien skywriting blazing across the night sky.
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↩ Reprints Chew #11 (2010), Chew #12 (2010), Chew #13 (2010), Chew #14 (2010), Chew #15 (2010), Chew #3 (2010)
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