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The Uncanny X-Men #148 cover
Cover: Dave Cockrum

The Uncanny X-Men #148

Aug 1981 · Marvel · 0.50 USD
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“Cry, Mutant!”
★ 1st appearance — Caliban
About this Issue

Uncanny X-Men #148 is the debut issue of Caliban — the albino, sewer-dwelling mutant whose ability to sense other mutants would later become the literal founding tool of the Morlocks, one of Claremont's most enduring contributions to the X-Men mythos. The issue simultaneously delivers the emotionally charged reunion of Banshee with his previously unknown daughter Theresa Cassidy (Siryn), a payoff seeded across Spider-Woman #37–38, while also planting the final cliffhanger panel that kicks off the long-form Magneto storyline running through #150. Scholars of the Claremont era have singled it out as the first X-Men issue in which all of the primary action-set-piece participants are women — Storm, Spider-Woman, Kitty Pryde, and Dazzler — a structural choice that is a direct expression of Claremont's ongoing project of centering female agency in superhero narrative.

In "Cry, Mutant!", the X-Men face internal rifts and rising tensions as Angel departs over his clash with Wolverine, while Banshee grapples with the revelation that Siryn is his daughter. Amid a tense girls' night out, Caliban’s sudden attempt to kidnap Kitty throws the team into chaos, even as Cyclops and Lee arrive at Magneto’s ocean fortress—setting the stage for a confrontation with the master of magnetism. Written by Chris Claremont and illustrated by Dave Cockrum with art by Josef Rubinstein and colors by Glynis Wein, this pivotal issue features a cover by Dave Cockrum.

writer Chris Claremont · artist Dave Cockrum · artist, inker Josef Rubinstein · colorist Glynis Wein · letterer Janice Chiang · cover Dave Cockrum

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History

Written by Chris Claremont and penciled by Dave Cockrum — who had returned to the title after John Byrne's celebrated run ended with #143 — the issue was published cover-dated August 1981, under editor Louise Jones and editor-in-chief Jim Shooter. Cockrum, in an interview collected in Peter Sanderson's The X-Men Companion (Fantagraphics, 1982), stated the issue took him six weeks to draw largely because of his personal distaste for the Dazzler disco sequence, suggesting Dazzler's presence may have been an editorial mandate tied to the promotional launch of her own solo series. The Siryn subplot was threaded through continuity that Claremont had established in Spider-Woman #37–38 (also by Claremont), where the character's connection to Banshee was hinted at but not confirmed; UXM #148 is the issue that names the paternal relationship explicitly.

Trivia · 10 facts

  • First appearance of Caliban (issue title: 'Cry, Mutant!'), the albino mutant with the ability to psionically sense other mutants — a power Claremont would later use to retroactively explain how Callisto assembled the Morlocks (debuting as a group in UXM #169, 1983).
  • Caliban's name and characterization were inspired by the deformed, enslaved figure from William Shakespeare's The Tempest, underlining the X-Men's ongoing allegory of otherness and marginalization.
  • Issue resolves the Siryn/Banshee paternity storyline begun in Spider-Woman #37–38 (April–June 1981): Banshee learns for the first time that Theresa Cassidy, raised by his criminal cousin Black Tom, is his daughter.
  • Angel (Warren Worthington III) quits the X-Men in this issue, citing his inability to tolerate Wolverine — a characterization Claremont noted in interviews was driven by the character's functional redundancy on the post-Giant-Size team.
  • Cyclops and Lee Forrester's Bermuda Triangle storyline culminates in the final-page Magneto cameo — his first appearance in the book since a brief scene in issue #125, and the setup for the landmark Magneto arc concluding in #150.
  • Dazzler appears performing at a nightclub called Infinity; her guest spot coincides with the launch of her own Marvel solo series, which was already in publication by this issue.
  • Spider-Woman (Jessica Drew) appears as a guest, continuing the reciprocal crossover from Spider-Woman #37–38, where the X-Men had guested in her title.
  • The issue has been reprinted multiple times, including X-Men Classic #52 (1990), Essential X-Men Vol. 3, Marvel Masterworks: The Uncanny X-Men Vol. 6 (2008), The Uncanny X-Men Omnibus Vol. 2 (2014), and X-Men Epic Collection #8 — I, Magneto (2021).
  • Caliban was later portrayed on film by Tómas Lemarquis in X-Men: Apocalypse (2016) and by Stephen Merchant in Logan (2017).
  • Full credits: Writer — Chris Claremont; Penciler — Dave Cockrum; Inker — Joe Rubinstein; Colorist — Glynis Wein; Letterer — Janice Chiang (filling in for regular letterer Tom Orzechowski); Editor — Louise Jones; Editor-in-Chief — Jim Shooter.

Cast · 18 characters

Full credits

artist, inker Josef Rubinstein
colorist Glynis Wein
letterer Janice Chiang
cover pencils, inks Dave Cockrum

Reprints

Reprinted in Spécial Strange #38 (1984), Superaventuras Marvel #51 (1986), Die Gruppe X #10 (1987), L'Uomo Ragno #32 (1989), L'Uomo Ragno #33 (1989), X-Men Classic #52 (1990), Essential X-Men #3 (1998), Marvel Masterworks: The Uncanny X-Men #6 (2008), Essential X-Men #3 [Second Edition] (2010), Marvel Gold. La Imposible Patrulla-X #3 (2012), The Uncanny X-Men Omnibus #2 (2014), X-Men Epic Collection #8 (2021), Essential Spider-Woman #2, La Patrulla-X #9, X-Men [Χ-Μεν] #49, Χ-Μεν Τόμος [X-Men Volume] #17

Key issues in The Uncanny X-Men

Variants (2)

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