comicbooks.com
covers · key issues · value · buy
HomeThe Incredible Hulk › #181
The Incredible Hulk #181 cover
Cover: Herb Trimpe & John Romita

The Incredible Hulk #181

Nov 1974 · Marvel · 0.25 USD
“And Now...The Wolverine!”
★ 1st full appearance — Wolverine
About this Issue

The Incredible Hulk #181 (cover-dated November 1974) delivered Wolverine's first full story appearance — a complete, dialogue-driven issue in which the adamantium-clawed Canadian mutant battles both the Hulk and the Wendigo across the Quebec wilderness — establishing him as a distinct, ferocious character rather than a last-page tease. That foundation proved decisive: Len Wein carried Wolverine directly into Giant-Size X-Men #1 (1975), where he joined the all-new X-Men lineup, and subsequent writers Chris Claremont and John Byrne transformed him into one of Marvel's most enduring figures. The issue also resolves a two-part Wendigo subplot — transferring the curse from Paul Cartier to Georges Baptiste — giving it narrative weight beyond any single debut. As the Bronze Age's defining first-appearance key, it represents the moment Marvel's antihero era found its most durable avatar.

In *The Incredible Hulk* #181, a mysterious Canadian agent named Wolverine makes his first full appearance, joining forces with the Hulk to confront the terrifying Wendigo. As the beast falls, the alliance quickly fractures when Wolverine turns on the Hulk, sparking a brutal clash between the two. The story unfolds with high stakes and shifting loyalties, setting the stage for a transformation that will change everything. Written by Len Wein and illustrated by Herb Trimpe, with inks by Jack Abel and colors by Glynis Wein, the issue features a dynamic cover by Herb Trimpe and John Romita.

Was this helpful and accurate?
writer Len Wein · artist Herb Trimpe · inker Jack Abel · colorist Glynis Wein · letterer Artie Simek · cover Herb Trimpe, John Romita

Market value illustrative

CGC-9.8$45,000 ▲ 1.2% 90d

Buy it now demo

MyComicShopShop ▸
Amazon (reprints)Shop ▸

Sell my copy

Have this issue — or a whole collection? Get a fair offer from us, skip the marketplace fees and the hassle.

We Buy Collections ▸
Fast, fair offers · we handle grading & shipping

History

Marvel editor-in-chief Roy Thomas conceived Wolverine as a Canadian government agent whose name and temperament were modeled on the wolverine animal — fierce, solitary, and willing to challenge creatures far larger than itself — then tasked writer Len Wein with developing the character and art director John Romita Sr. with designing the look, including the retractable adamantium claws. Romita never drew Wolverine in a published story; it was series regular Herb Trimpe — penciling The Incredible Hulk since issue #106 — who rendered the character for print across issues #180 and #181, with inks by Jack Abel, colors by Glynis Wein, and lettering by Artie Simek, all edited by Thomas. In Wein's original conception the claws were part of Wolverine's gloves rather than his anatomy, a detail that remained ambiguous through his early appearances until Dave Cockrum and later Chris Claremont settled the question on the X-Men title. Trimpe himself described Wolverine at the time as 'one of those secondary or tertiary characters…with no particular notion of it going anywhere,' underscoring how thoroughly the character's eventual dominance of Marvel's publishing line defied anyone's expectations at its creation.

Trivia · 8 facts

  • First full appearance of Wolverine (Logan / Weapon X), deployed by the Royal Canadian Air Force to neutralize the Hulk; his cameo in the preceding issue (#180, October 1974) is widely recognized as his first brief appearance.
  • Written by Len Wein, penciled by Herb Trimpe, inked by Jack Abel, colored by Glynis Wein, lettered by Artie Simek, and edited by Roy Thomas — the creative team that also produced the #180 cameo.
  • Wolverine is explicitly identified as a mutant within the issue's dialogue, establishing his mutant status from his very first full story.
  • The story title is 'And Now…The Wolverine!' — the issue resolves the Wendigo arc begun in #180 by having Marie Cartier transfer the Wendigo curse from her brother Paul Cartier to Georges Baptiste.
  • Colonel Bernardo (unnamed in the issue) of the Royal Canadian Air Force receives his first appearance here, alongside minor supporting characters Mathews and Holderidge.
  • The issue contains Marvel Value Stamp #54 (Shanna the She-Devil) — a 1970s Marvel promotional insert that readers were encouraged to cut out, meaning intact copies with the stamp are significantly rarer than copies missing it.
  • Wolverine's original costume in this issue features shorter mask 'ears' and animalistic whiskers — details that were modified when he reappeared in Giant-Size X-Men #1 (1975) and further refined during John Byrne's X-Men run.
  • The issue has been reprinted numerous times, including the 1989 Wolverine Battles the Incredible Hulk #1, a 1999 Marvel Milestone Edition, a 2001 Wizard Ace Edition, and Marvel Facsimile Editions in 2019 and 2023; the story inspired the 2009 animated film Hulk vs. Wolverine.

Cast · 10 characters

Full credits

writer Len Wein
inker Jack Abel
colorist Glynis Wein
letterer Artie Simek
cover pencils, inks Herb Trimpe
cover pencils, inks John Romita

Full plot ⚠ may contain spoilers

▸ Reveal full plot — may contain spoilers

Canadian super-agent Wolverine teams up with the Hulk to battle Wendigo. Once the monster is felled, however, Wolverine turns on the Hulk and the two battle. Marie goes ahead with her plans of trying to transfer the power of the Wendigo into the Hulk but when the guilt becomes too much for best friend Georges who feels responsible for Paul's monstrous condition, he works the change on himself. Paul Cartier is returned to human form and Georges becomes the Wendigo.

Plot details indexed by the Grand Comics Database (CC BY-SA).