The Amazing Spider-Man #301
☆ Be the first to review + Add to your collection — Join freeIn "The Sable Gauntlet!", Spider-Man teams up with Silver Sable to stop a dangerous Neo-Nazi with a personal vendetta, all while Peter Parker navigates a surprising new job opportunity. Written by David Michelinie and brought to life with dynamic art by Todd McFarlane—both interior and on the cover—this 1988 issue blends action and intrigue with a grounded, character-driven edge.
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We Buy Collections ▸Trivia · 9 facts
- Written by David Michelinie, penciled by Todd McFarlane, inked by Bob McLeod (interior) and Todd McFarlane (cover), colored by Gregory Wright, lettered by Rick Parker; edited by Jim Salicrup under EIC Tom DeFalco.
- Cover-dated June 1988; released on newsstands February 9, 1988.
- Story title: 'The Sable Gauntlet!' — Spider-Man intervenes to protect Silver Sable from a neo-Nazi antagonist (Frank Cruz / Franz Kraus) who has lured her into a compromised security-test job.
- This is NOT Silver Sable's first appearance; she debuted in Amazing Spider-Man #265 (1985). Issue #301 is a significant early spotlight issue that fleshed out her Symkarian background and professional motivations ahead of her eventual solo series.
- The cover is a deliberate compositional homage to Amazing Spider-Man #300, placing Spider-Man in the same pose but in his restored red-and-blue costume rather than the black symbiote suit, serving as a visual bookend to the Venom arc.
- First appearance of villain Frank Cruz (Franz Kraus) and minor character Martin Jacobi.
- The issue has been reprinted in: the Spider-Man Classics Action Figure reprint (Toy Biz, October 2000, packaged with Series 1 action figure); Spider-Man Visionaries (Marvel, 2001); the Amazing Spider-Man by David Michelinie & Todd McFarlane Omnibus (Marvel, 2011); and the Amazing Spider-Man Epic Collection #18 – Venom (2018), among other international editions.
- A full-page house ad inside the issue promoted the first appearance of Typhoid Mary in Daredevil, illustrated by John Romita Jr. — a notable snapshot of the broader Marvel publishing moment.
- McFarlane's Spider-Man visual innovations during this run — including his distinctive 'spaghetti' webbing and dynamic figure anatomy — became hallmarks of late-1980s/early-1990s comics art style.
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Reprints
Reprinted in The Amazing Spider-Man Annual #1990 (1989), Strange #234 (1989), El Hombre Araña / El Asombroso Hombre Araña #447 (1989), Strange Album #78 (1990), Σπάιντερ Μαν [Spider-Man] #484 (1990), Spider-Man #1 (1991), Edderkoppen #5/1991 (1991), Spindelmannen #5/1991 (1991), The Amazing Spider-Man #5/1991 (1991), Spider-Man #2 (1991), Spider-Man #3 (1991), L'Uomo Ragno #92 (1992), Spider-Man #4 (1992), Spider-Man #5 (1992), Spider-Man #6 (1992), The Amazing Spider-Man Annual #1994 (1993), Spider-Man #7 (1993), Spider-Man #8 (1993), Spider-Man #9 (1993), Spider-Man #10 (1994), Spider-Man #11 (1994), Spider-Man #12 (1994), Spider-Man #13 (1994), Amazing Spider-Man: Vol.1, No. 301 [Spider-Man Classics Action Figure Reprint] #[nn] (2000) + 21 more
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