Spider-Man #13
In "Maximum Carnage, 7ème partie : L'orage se prépare," Spider-Man and his allies race against time to secure a crucial weapon at Four Freedoms Plaza, while chaos erupts beyond the museum’s walls. Deathlok stands alone in the streets of Manhattan, confronting Carnage and his deadly entourage as the city teeters on the edge of destruction. With David Michelinie’s sharp storytelling and Mark Bagley’s dynamic art—enhanced by Randy Emberlin’s inks and Bob Sharen’s bold colors—this 1994 issue delivers relentless tension and escalating stakes. The cover by Ron Lim and Jim Sanders III captures the storm before the storm hits.
In "Maximum Carnage, 7ème partie : L'orage se prépare," Spider-Man and his allies race to secure a crucial weapon at Four Freedoms Plaza as chaos erupts in Manhattan. When Deathlok confronts Carnage and his violent crew after their rampage spills from the Metropolitan Museum of Art, the city braces for a storm of blood and fury.
In "Maximum Carnage, 10ème partie : Ville du péché," Spider-Man races to contain chaos as New York City erupts in violence, while Carnage and Shriek turn their brutal focus on Venom. The battle for the city's soul rages on, with heroes and villains pushing the limits of their power in a desperate struggle for control.
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↩ Reprints The Amazing Spider-Man #301 (1988), Spider-Man Unlimited #1 (1993), Spider-Man #36 (1993), The Amazing Spider-Man #379 (1993), The Spectacular Spider-Man #202 (1993), Web of Spider-Man #103 (1993)
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