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The Amazing Spider-Man #114 cover
Cover: John Romita

The Amazing Spider-Man #114

Nov 1972 · Marvel · 0.20 USD
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“Gang War, Shmang War! What I Want to Know Is...Who the Heck Is Hammerhead?”
★ 1st appearance — Jonas Harrow
About this Issue

The Amazing Spider-Man #114 is the keystone issue of Gerry Conway's landmark Bronze Age gang-war arc (issues #113–115), delivering the full origin and first cover appearance of Hammerhead — one of Spider-Man's most durable Maggia crime lords. By fusing the Marvel superhero idiom with the aesthetic of 1930s gangster cinema, Conway and Romita deliberately revived a Dick Tracy–style criminal archetype within a contemporary Marvel narrative, a creative choice Conway later acknowledged as a direct homage to the earliest Spider-Man villains. The issue also plants a quietly ominous scene between Professor Miles Warren and Gwen Stacy, a thread that Conway would eventually pull all the way to the Clone Saga — making this issue a small but traceable node in one of the most consequential subplots in Spider-Man history. It arrives at a pivotal editorial moment, early in Conway's tenure as Stan Lee's replacement writer, when the series was about to enter its most celebrated and tragic phase.

writer Gerry Conway · writer, artist, inker John Romita · artist Jim Starlin · inker Tony Mortellaro · letterer Artie Simek · cover John Romita

ComicBooks.com Value

Our Model is In Beta
Raw (Fine) $34
CGC 9.8 · 19 in census $3,947
CGC 9.6 · 37 in census $812
CGC 9.4 · 65 in census $268
CGC 9.2 · 78 in census $159
CGC 9.0 · 55 in census $143
CGC 8.5 · 62 in census $143
Show all 19 grades
CGC 8.0 · 45 in census $95
CGC 7.5 · 38 in census $69
CGC 7.0 · 32 in census $69*
CGC 6.5 · 30 in census $60*
CGC 6.0 · 23 in census $60*
CGC 5.5 · 10 in census $54*
CGC 5.0 · 18 in census $46
CGC 4.5 · 13 in census $39
CGC 4.0 · 7 in census $39*
CGC 3.5 · 2 in census $33
CGC 3.0 · 1 in census $33*
CGC 2.5 · 3 in census $25*
CGC 2.0 · 1 in census $22*
* estimate — limited direct-sales data at this grade
Our model’s value — refined as new sales data arrives · CGC census counts shown where available

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History

Stan Lee handed the scripting reins on Amazing Spider-Man to nineteen-year-old Gerry Conway, who took over with issue #111 and quickly co-created Hammerhead with artist John Romita Sr. as one of his first major contributions to the mythology. The interior art on #114 carries a notable collaborative fingerprint: Jim Starlin — just entering professional comics — provided page breakdowns for Romita, who then finished and inked the story, a working arrangement Starlin himself confirmed in an interview published in Comic Book Artist #18. Roy Thomas served as editor on the issue, keeping continuity over a creative team in clear transition. The cover, a bold picture-frame composition spotlighting Hammerhead, was penciled and inked entirely by Romita Sr.

Trivia · 8 facts

  • Cover date: November 1972; published by Marvel Comics under the Magazine Management Co. indicia.
  • Written by Gerry Conway; pencils and inks by John Romita Sr.; layouts/breakdowns by Jim Starlin (per Starlin's own account in Comic Book Artist #18); lettered by Art Simek; edited by Roy Thomas.
  • Hammerhead's second appearance overall (first appearance was Amazing Spider-Man #113, October 1972) and his first cover appearance, drawn by John Romita Sr.
  • First appearance of Dr. Jonas Harrow — the disgraced surgeon who rebuilt the wounded mobster's shattered skull with a steel-alloy plate, creating Hammerhead — depicted in flashback.
  • Full origin of Hammerhead revealed: an amnesiac immigrant found near death in the Bowery who, after experimental cranial surgery, fashioned his entire identity around a gangster movie poster he saw during recovery.
  • Professor Miles Warren appears on the ESU campus questioning Gwen Stacy about Peter Parker — an early, understated scene that foreshadows Warren's eventual transformation into the Jackal.
  • The issue is the middle chapter of the three-part Hammerhead/Doctor Octopus gang-war story spanning Amazing Spider-Man #113–115, one of the first extended organized-crime storylines in the series.
  • Reprinted domestically in Marvel Tales #93 (July 1978), The Essential Spider-Man Vol. 6 (2004), Marvel Masterworks: The Amazing Spider-Man Vol. 12 (2010), Amazing Spider-Man Epic Collection Vol. 7 — The Goblin's Last Stand (2017), and The Amazing Spider-Man Omnibus Vol. 4 (2019); also reprinted in multiple international editions including Spanish, Norwegian, German, and Italian publications.

Full credits

writer, artist, inker John Romita
letterer Artie Simek
cover pencils, inks John Romita

Reprints

Reprinted in L'étonnant Spider-Man #16 (1972), El Sorprendente Hombre Araña #144 (1972), Edderkoppen #4/1973 (1973), Hit Comics Die Spinne #251 (1973), Spinneman Classics #72 (1973), Super Spider-Man #163 (1976), Strange #101 (1978), Marvel Tales #93 (1978), Spindelmannen #7/1979 (1979), Edderkoppen #7/1979 (1979), El Hombre Araña / El Asombroso Hombre Araña #110 (1982), L'Uomo Ragno Classic #33 (1993), Spiderman de John Romita #50 (2003), The Essential Spider-Man #6 (2004), Spider-Man kæmpepocket #2 (2005), Amazing Spider-Man Family #2 (2008), Marvel Masterworks: The Amazing Spider-Man #12 (2010), Amazing Spider-Man Epic Collection #7 (2017), The Amazing Spider-Man Omnibus #4 (2019), Die Spinne #115, L'Uomo Ragno [Collana Super-Eroi] #115, Spider-Man #27, Σπάιντερ Μαν [Spider-Man] #272, Σπάιντερ Μαν [Spider-Man] #4

Key issues in The Amazing Spider-Man

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