NYX #7
NYX (2024) #7 is the Synch-centric chapter of the rotating single-character structure that defines this series — the first extended confrontation between Synch (Everett Thomas) and Prodigy (David Alleyne), two of the most prominent Black male characters in the X-franchise, a pairing that critics noted had been conspicuously absent from the comics despite both men's shared history and prominence during the Krakoan era. The issue transplants the Arakki death-ritual known as the Circle Perilous — a concept forged on the former mutant planet — into the streets of post-Krakoa New York, using it to stage a philosophical clash between Synch's wartime pragmatism and Prodigy's community-building idealism; this ideological tension is the thematic heart of the entire From the Ashes era for street-level mutant storytelling. The issue also delivers the print-page debut of the NYX community center as a fully functioning mutant institution, elevating Prodigy's role from reluctant professor to the de facto architect of a new kind of Xavier dream — one that explicitly includes humans alongside mutants.
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We Buy Collections ▸History
The series was announced by Marvel Editor-in-Chief C.B. Cebulski and VP/Executive Editor Tom Brevoort at the X-Men: From the Ashes panel at South by Southwest on March 14, 2024, as one of the flagship titles of that line-wide relaunch following the end of the Krakoan Age. Writers Collin Kelly and Jackson Lanzing — longtime collaborators with credits including Captain America: Sentinel of Liberty — designed the series around a rotating single-POV structure, with each issue titled by its focal character's human name rather than their mutant codename, a deliberate editorial statement about the post-Krakoa world these characters now inhabit. Series regular Francesco Mortarino stepped aside for issue #7, with guest artist Enid Balám handling interiors; Raúl Angulo remained as colorist and Sara Pichelli continued as cover artist throughout the run. The NYX community center, which anchors this issue, had made a quieter debut in Astonishing X-Men on Marvel Unlimited before receiving its grander, print-page introduction here.
Trivia · 8 facts
- Published January 8, 2025 (cover-dated March 2025) by Marvel Comics as part of NYX vol. 2, the second volume of the NYX series and a title within the X-Men: From the Ashes publishing initiative.
- Written by Collin Kelly and Jackson Lanzing; interior art by Enid Balám (guest artist); colors by Raúl Angulo; letters by VC's Joe Sabino; main cover by Sara Pichelli and Federico Blee.
- Issue #7 is the Synch (Everett Thomas) spotlight chapter — the series rotates a different POV character each issue, titled by the character's civilian name in keeping with the creative team's thematic emphasis on human identity over mutant codenames.
- Central plot: Synch, having drifted across the country for months after Krakoa's fall, arrives at the NYX community center in New York and formally challenges Prodigy (David Alleyne) to the Circle Perilous — an Arakkii-tradition duel that ends only when one combatant dies or yields — believing Prodigy's idealistic project endangers vulnerable mutants.
- Prodigy fights Synch to a stalemate and convinces him of his intentions; neither character is seriously injured, though the duel draws on hard-won Arakkii customs Synch witnessed firsthand as a member of the Krakoan X-Men.
- The issue marks Synch and Prodigy's longest direct interaction in Marvel Comics history to that point, a notable gap given both characters' prominence during the Fall of X and both being among the most significant Black male figures in the X-franchise.
- Secondary subplot: Kamala Khan discovers that her cousin Bilal has adopted the identity of 'the Truthseeker,' an anti-mutant vigilante, deepening her personal stakes in the series' central conflict between family loyalty and mutant community.
- NYX #7 is collected in the trade paperback NYX Vol. 2: Mojo City (collecting issues #6–10), published in 2025 by Marvel Comics, which covers the second and final arc of the series before its cancellation with issue #10.
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Reprinted in NYX #2 (2025)
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