Mad Special [Mad Super Special] #46
☆ Be the first to review + Add to your collection — Join freeIn "The Sword Duel," a 1984 Mad Super Special, Frank Jacobs and Mike Snider deliver a delightfully absurd parody of swashbuckling cinema, illustrated with sharp wit and flair by Jack Rickard, whose dynamic art brings the spoof to life. The cover, a riot of satirical movie posters by Bob Clarke and Mort Drucker, sets the tone with titles like "The Invasion of the Transistor People" and "The Bug That's Going Around," all in that unmistakable Mad style.
In a deadpan parody of *The Godfather*, a reluctant son is pulled into his father’s Mafia world after an assassination attempt leaves the old don needing a successor—though he’d rather be anywhere else. Written with sharp wit and drawn in Mad’s signature satirical style, this 9-page tale skewers crime family tropes with deadpan delivery and a perfectly misplaced sense of drama.
In this sharp, satirical take from Mad Special #46, absurd movie posters mock everyday frustrations with deadpan horror flair—ranging from a panicked public facing "The Invastion of the Transistor People" to the dread of "The Lost Filling" and the creeping terror of "On Hold." Each poster turns mundane modern woes into over-the-top cinematic nightmares, all rendered in Mad’s signature typeset lettering and biting wit.
In this clever satire from Mad Special #46, classic movie showdowns take a hilarious twist: as the hero trembles under the villain’s threat, footnotes reveal the villain’s actually just trying to be polite—while the hero’s been a total jerk all along. A sharp, deadpan riff on cinematic tropes, it flips the script with nothing but typeset letters and a wink.
In "The Zing," two con men pull off a high-stakes scam against a ruthless crime boss, using nothing but wit, timing, and a whole lot of fake mustaches—part revenge, part performance art, all in the spirit of classic caper chaos.
In this satirical 1984 Mad Special gem, classic films like *Born Free*, *Moby Dick*, *The Ten Commandments*, and *Snow White and the Seven Dwarfs* get a cheeky, adult-overhaul in a series of mock movie ads—reimagined with risqué twists that skewer Hollywood’s tendency to repackage nostalgia with modern flair. The parody thrives on absurdity, flipping sacred cinematic moments into playful, eyebrow-raising pitches with zero subtlety.
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↩ Reprints Mad #74 (1962), Mad #76 (1963), Mad #88 (1964), Mad #91 (1964), Mad #123 (1968), Mad #124 (1969), Mad #132 (1970), Mad #138 (1970), Mad #139 (1970), Mad #148 (1972), Mad #155 (1972), Mad #166 (1974), Mad #167 (1974), Mad #171 (1974), Mad #176 (1975), Mad #177 (1975), Mad #208 (1979), Mad #210 (1979), Mad #211 (1979), Mad #213 (1980), Mad #214 (1980), Mad #217 (1980), Mad #226 (1981)
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