Mad #91
☆ Be the first to review + Add to your collection — Join freeIn "Some Mad Devices for Safer Smoking," Sergio Aragonés delivers a hilariously chaotic take on athletic competition, where every event spirals into absurdity—reporters distract runners, a shot-putter misses entirely, a relay is thrown off by a rogue photographer, and even the underdog wrestler’s victory is undercut by sheer lunacy. With his signature blend of visual wit and manic energy, Aragonés’ art and inks bring the mayhem to life in this 1964 EC classic, a 30-cent comic that’s as sharp as it is silly.
In this satirical two-page gem from Mad #91, classic movie showdowns take a hilarious twist: as the hero trembles before a villain’s menacing threat, footnotes reveal the truth—behind the dramatic glare, the villain’s just trying to be kind, while the hero’s been a selfish jerk all along. A sharp, playful parody that flips the script on cinematic tropes, all in the signature style of Mad’s early satire.
In this 1964 satire from Mad #91, chaos reigns at the Summer Olympics as absurdity takes center stage: a sprint ends in a scandalous double entry, a shot-putter flops, a relay unravels, and a photographer’s antics disrupt the competition—while a surprise underdog triumphs in wrestling, and a pole vaulter meets a spectacular fail. The whole spectacle unfolds with the magazine’s signature irreverent flair, all typeset in sharp, punchy letters.
In this satirical gem from Mad #91, a mockumentary-style take on historical memory imagines how today’s famous figures—Harold Stassen, Hyman Rickover, Elizabeth Taylor, and the news duo Chet Huntley and David Brinkley—might be remembered as legendary heroes centuries from now. With deadpan wit and sharp parody, the story reimagines their real-life roles through the lens of exaggerated legacy, where even the most mundane moments are elevated into myth.
In this 1964 satire from Mad #91, "Mr. Nudnick" parodies the TV show "Mr. Novak" with a hilariously meddlesome high school English teacher who somehow wins the respect of students and faculty—despite being the kind of man who makes everyone around him wish for a quiet moment. The story’s sharp wit and typeset letters deliver a perfectly absurd take on classroom authority.
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Reprinted in Mad #7 (1968), The Portable Mad #Q6296 (1970), Mad #61 (1974), The Completely Mad Don Martin #[nn] (1974), Dave Berg's Mad Trash #[nn] (1977), Mad #111 (1978), Mad #134 (1980), Dave Berg's Mad Trash #[nn] (1981), A Mad Carnival #59 (1982), Mad's Sergio Aragonés on Parade #14 (1982), Mad Special [Mad Super Special] #42 (1983), Mad Special [Mad Super Special] #46 (1984), Mad Special [Mad Super Special] #48 (1984), Mad Special [Mad Super Special] #50 (1985), Mad Special [Mad Super Special] #69 (1989), Mad Special [Mad Super Special] #70 (1990), Mad Special [Mad Super Special] #104 (1995), Mad's Greatest Artists: Don Martin #[nn] (2014), Papiers Nickelés #81 (2024), Mad #38
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