Mad #114
☆ Be the first to review + Add to your collection — Join freeIn "So How Come...," Lou Silverstone crafts a sharp, satirical twist on the Western genre, reimagining the classic "Hombre" trope with a white man raised by Native Americans returning to the frontier to claim his father’s legacy as a slumlord. Mort Drucker’s expressive artwork brings the story’s eccentric cast to life, from the reluctant leader to his ragtag group of stagecoach survivors, all navigating a world where identity and loyalty are as shifting as the desert sands. The cover by Norman Mingo captures the tale’s blend of humor and tension in a striking, stylized portrait.
In "Sombre," a white man raised among Native Americans takes up his father's legacy as a slumlord, leading a ragtag group of stagecoach survivors on a journey back to civilization—where the real challenge may be less about survival than about who they’ve become. A sharp satire in the spirit of *Hombre*, this 1967 Mad classic uses its absurd premise to skewer genre tropes with a dry, typeset wit.
In "Ratpacktrol," a misfit member of Rommel's Desert Forces in North Africa attempts to outwit a squad of American commandos with a series of increasingly absurd traps, all while navigating the surreal logic of a parody that skewers the dramatic tone of "The Rat Patrol." The story unfolds with deadpan humor and satirical flair, relying on the contrast between military grandeur and the sheer ridiculousness of the situation.
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Reprinted in The Ridiculously Expensive Mad #[nn] (1969), Mad Special [Mad Super Special] #5 (1971), The Pocket Mad #36 (1974), Mad #61 (1974), The Completely Mad Don Martin #[nn] (1974), Dave Berg's Mad Trash #[nn] (1977), Mad Special [Mad Super Special] #30 (1980), Dave Berg's Mad Trash #[nn] (1981), Mad Special [Mad Super Special] #38 (1982), Mad's Sergio Aragonés on Parade #14 (1982), Mad Special [Mad Super Special] #48 (1984), Mad for Decades #[nn] (2007), Mad's Greatest Artists: Don Martin #[nn] (2014), Mad #19 (2021)
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