Dossier Negro #60
In the shadowed halls of Renaissance Florence, a heartbroken painter named Cristoforo makes a desperate pact with Satan to avenge the Duke who stole his beloved. With dark artistry, he paints a demon upon a chapel wall—a blasphemy that seals his fate, leading to execution. But death is not the end: every midnight, the demon he summoned rises from the fresco, and the Duke is consumed anew, trapped in an eternal cycle of terror.
In "A gusto del inquilino," two con men see an easy mark in Erbacam, a seemingly harmless old man, and scheme to swindle him out of a lease deal. But when Erbacam reveals a chilling patience and a gaze that cuts through deceit, the tables begin to turn in ways neither man could have imagined.
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↩ Reprints Nightmare #1 (1970), Nightmare #4 (1971), Nightmare #9 (1972), Psycho #9 (1972), Psycho #14 (1973), Nightmare #15 (1973), Nightmare #18 (1974), Scream #5 (1974)
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