Psycho #9
☆ Be the first to review + Add to your collection — Join freeIn "The Slither-Slime Man," a corrupt sheriff's brutal crusade to uncover a cemetery desecrator spirals into madness as he targets anyone who crosses him—until the night he becomes the victim. Attacked in the graveyard by a creature that defies life and death, he meets a fate as grotesque as the crimes he committed.
In "Ghastly Reunion," a hunter’s violent act of vengeance sets off a chilling chain of events when the man he kills—his wife’s lover—was not human to begin with. Once buried, the pair rise again, bound by blood and fury, returning to the isolated cabin where their story began.
In a secluded English estate, a new governess arrives to care for two peculiar children, unaware she’s stepping into a nightmare rooted in blood and betrayal. When she uncovers the chilling truth behind their brother’s death and the ghosts of the past, she realizes the children are not who they seem—and neither is the father waiting in London.
In "A Plot of Dirt," a heartbroken man named Craig, consumed by jealousy after Mary chose another, takes a dark turn—first killing her lover Philip, then summoning the corpse back to exact his final revenge. But when the reanimated Philip defies his creator, the twisted ritual spins out of control in a chilling twist of fate.
In a stark hospital room, a young woman with no memory struggles to piece together her past, as doctors probe her mind for answers. When her true identity finally surfaces, she must confront a horrifying truth that forces her to flee—only to face a fate sealed by the very light she can no longer endure.
In "The Graveyard Jungle," two con men think they’ve found an easy mark in Erbacam, a seemingly harmless old man, only to discover too late that he’s far more dangerous than he appears. Written by an unknown author and illustrated by an unknown artist, this 1972 horror-suspense tale turns a simple scam into a chilling game of fate.
In "All the Ways and Means to Die," Detective Lieutenant Gene Trimble grapples with the unsettling implications of the Crosstime Corporation’s experiments, questioning whether every choice fractures reality into countless versions of himself. As he faces a moment of crisis, he tests the theory with a single, deliberate act—pointing a gun to his head—only to find that reality splits in ways both chilling and absurd.
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Reprints
Reprinted in Dossier Negro #60 (1974), Dossier Negro #64 (1974), L'Écho des Savanes Spécial U.S.A. #12 (1979), Fright #1 (1988), Dossier Negro #69
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