DC Universe: The Stories of Alan Moore #[nn]
☆ Be the first to review + Add to your collection — Join freeThis collection brings together some of Alan Moore's most celebrated work for DC Comics, including his influential runs on Swamp Thing, Batman, and Superman, as well as classic tales like 'For the Man Who Has Everything' and 'Whatever Happened to the Man of Tomorrow?'. Spanning the 1980s, the volume showcases Moore's transformative storytelling and his impact on the DC Universe, featuring collaborations with artists such as Brian Bolland, Dave Gibbons, and Curt Swan. It serves as a comprehensive overview of a defining era in comics history, curated from various series and one-shots.
A landmark tale from Alan Moore’s legendary run, "For The Man Who Has Everything" finds Superman confronting a surreal, multilayered assault within the Fortress of Solitude, where illusions and enemies converge in a battle of wills. With Curt Swan’s iconic art and the precise inks of Kurt Schaffenberger, the story unfolds as Superman grapples with a revelation that forces him to confront the true cost of heroism—leading to a moment that changes everything. Brian Bolland’s unforgettable cover captures the haunting weight of the story’s emotional core.
In "For The Man Who Has Everything," Superman’s birthday celebration at the Fortress of Solitude takes a surreal turn when he falls under the influence of the Black Mercy, a mysterious flower from Mongul that plunges him into a dream of a Krypton that never died. With Wonder Woman battling Mongul, Batman and Robin must find a way to break the dream’s hold—before the illusion becomes his only reality.
In a quiet moment between missions, Black Canary and Green Arrow reflect on the changing face of crime—once bold, now strangely lackluster—before a sudden arrow strikes Black Canary from the shadows.
In "Father's Day," Vigilante answers a desperate call from a woman fleeing her abusive husband, only to arrive too late—she’s dead, and her daughter has vanished. Tracking the girl through the city’s underbelly, he finds her sheltered by a pair of kind-hearted prostitutes, but the real danger is just beginning: her father has found her, and he’s coming for her.
In "Father's Day Part II," Vigilante races to protect Jodie Linnaker from her father, Carl Linnaker, while Carl’s own voice emerges through a letter written from jail, offering a troubling glimpse into his side of the story. The tale unfolds with emotional weight, balancing action and introspection as the past and present collide.
In "The Jungle Line," Clark finds himself succumbing to a deadly Kryptonian fungus, his powers flickering as he drives south in desperation. Lost in a remote swamp, he stumbles upon the only being who might hold the key to his survival—Swamp Thing.
In the desolate reaches of Ysmault, Abin Sur ventures into forbidden territory, drawn to a crashed ship he believes holds answers. There, he confronts the Empire of Tears and its tormentor, Qull of the Five Inversions, who offers cryptic responses to three questions—each one unraveling more than Abin ever expected.
In this poignant second part of Alan Moore’s legendary deconstruction, Lois Lane recounts the final, devastating moments of Superman’s last stand—when the Man of Steel, cornered by a twisted alliance of foes including Brainiac in Luthor’s body and the Legion of Super-Villains, finally unmasked the true architect of his downfall. As the weight of his choices collapses around him, Superman calls on the mischievous Mr. Mxyzptlk, only to see the imp’s desperate escape tear him apart from within. With the truth laid bare and the cost of victory unbearable, Superman faces a fate he never imagined. In the quiet aftermath, Lois, her husband Jordy, and their young son Jonathan find peace in the stillness of a home that once held a god.
In "Footsteps," an angel who refuses to take sides during the fall of Lucifier and his rebels is condemned to walk the earth, severed from both heaven and hell. This quiet, haunting tale follows the weight of that isolation, as the fallen angel moves through a world that no longer knows how to see them.
In *The Killing Joke*, Batman confronts a twisted game when the Joker’s presence in Arkham Asylum proves to be a ruse, leading to a terrifying escalation as he targets Commissioner Gordon and his daughter Barbara. Trapped in a nightmarish carnival of psychological torment, Gordon is pushed to the edge as the Joker forces him to confront his deepest fears. As Batman closes in, the Joker’s final, chilling joke hangs in the air—just before the police arrive.
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Reprints
↩ Reprints Detective Comics #549 (1985), Detective Comics #550 (1985), Green Lantern #188 (1985), The Omega Men #26 (1985), The Vigilante #17 (1985), The Omega Men #27 (1985), The Vigilante #18 (1985), DC Comics Presents #85 (1985), Superman Annual #11 (1985), Action Comics #583 (1986), Superman #423 (1986), The Green Lantern Corps Annual #2 (1986), Secret Origins #10 (1987), Batman Annual #11 (1987), Green Lantern Annual #3 (1987), Batman: The Killing Joke #[nn] (1988), Across the Universe: The DC Universe Stories of Alan Moore #[nn] (2003)
Reprinted in Grandes Clássicos DC #9 (2006), DC:s universum: klassiska serier av Alan Moore #[nn] (2007), Alan Moore Et univers uten grenser [Alle Tiders Superhelter] #[nn] (2007), Cover Story: The DC Comics Art of Brian Bolland #[nn] (2011), DC Universe by Alan Moore #[nn] (2012), DC Universe by Alan Moore #[nn] (2013)
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