Astonishing #18
☆ Be the first to review + Add to your collection — Join freeIn "Jack the Ripper," a 1952 Marvel tale drawn by Tony DiPreta, an American skeptical of the legend travels to England to prove the infamous killer is truly dead—only to find the grave he seeks is more than a tomb. When the groundsman warns him the site is haunted, the man presses on, unaware that the past is not as buried as he believes. Cover by Bill Everett, this chilling story sets a haunting cycle in motion, one that echoes across the Atlantic with each new believer.
In "Jack the Ripper," a skeptical American travels to England in 1952 to debunk rumors of the infamous killer’s return—twenty years after his death—only to find the grave he came to prove was empty. When the groundsman refuses to follow him into the cemetery, the man ventures alone, drawn to a tomb that seems to pulse with dread. As the Ripper’s ghost rises from the earth, the cycle of obsession begins anew, with another American already planning the journey.
In "Vampire at the Window," a man’s growing dread turns to terror when he sees a vampire outside his window—only to find the private detective he’s hired to investigate the matter shares the same unnatural hunger. The story unfolds with quiet dread, where every shadow might hide a secret and trust is the rarest thing of all.
In the eerie glow of a 1952 carnival freak show, a man born with a rodent-like tail finds unexpected kinship in a woman whose feline-tipped tail mirrors his own oddity—until the moment of connection turns chilling.
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Reprinted in Black Magic Comics #10 (1952), Marvel Tales #124 (1954), Giant-Size Dracula #2 (1974), Dead of Night #6 (1974), Uncanny Tales #6 (1974), Uncanny Tales #8 (1975), Spider-Man vs. Dracula #1 (1994), Dracula (Jag är Dracula) #[nn], Gespenster Geschichten #1075
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