Amazing Adventures #12
☆ Be the first to review + Add to your collection — Join freeAmazing Adventures #12 (May 1972) marks the formal handoff of the newly-transformed, furry Beast to writer Steve Englehart — his first credited superhero work at Marvel — deepening the Bronze Age horror-inflected reinvention that Gerry Conway and Tom Sutton had launched one issue earlier. The story is significant for threading Hank McCoy's body-horror predicament into the wider Marvel universe by pitting him against Iron Man and introducing a Magneto-free incarnation of the Brotherhood of Evil Mutants (Mastermind, Blob, and Unus), the first such lineup not assembled by Magneto. Englehart's psychological approach — foregrounding McCoy's alienation, volcanic temper, and desperate improvised disguise — set the emotional template that would eventually make Beast one of the X-Men's most compelling characters in the decades to come.
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We Buy Collections ▸History
Roy Thomas conceived the idea of transforming Hank McCoy into a hirsute mutate to give the character a solo strip, and Gerry Conway got the concept off the ground in issue #11 before immediately handing scripting duties to the twenty-four-year-old newcomer Steve Englehart, whose arrival at Marvel was announced in the same month's Bullpen Bulletins. Englehart's task in #12 was to solve the practical narrative puzzle Conway had left: how does a fur-covered former X-Man hold down a day job at the Brand Corporation without being detected? Tom Sutton pencilled the interior story, with Mike Ploog — then also inking Werewolf by Night — contributing inks that amplified the horror-monster atmosphere, while Gil Kane and Joe Sinnott produced the cover.
Trivia · 8 facts
- Cover dated May 1972; on-sale February 22, 1972; published by Marvel Comics under editor Roy Thomas.
- Written by Steve Englehart (his first credited superhero work at Marvel) with pencils by Tom Sutton and inks by Mike Ploog; cover by Gil Kane (pencils) and Joe Sinnott (inks); cover colors credited to Steve Englehart himself.
- Interior story titled 'Iron Man: D.O.A.' — Hank McCoy, still in his newly permanent grey-furred form from issue #11, fashions a lifelike latex mask, gloves, and a painful posture-correcting brace to pass as human at the Brand Corporation.
- Features a cameo by Mastermind (Jason Wyngarde), the Blob (Frederick Dukes), and Unus the Untouchable (Gunther Bain) — a post-Magneto Brotherhood of Evil Mutants lineup operating independently; Mastermind is revealed to have used illusion powers to make Beast believe he killed Iron Man, hoping to recruit him into the Brotherhood.
- Iron Man (Tony Stark) and Marianne Rodgers appear as supporting characters; Rodgers uses her ESP to sense that Linda Donaldson (secretly a spy for the same subversive organization as the late Carl Maddicks) is not what she seems.
- The rest of the classic X-Men — Cyclops, Marvel Girl, Iceman, Angel, and Professor X — appear in recap/flashback only, reflecting the broader X-Men franchise's limbo status at the time.
- Reprinted in Avengers #136 (June 1975), though pages 2, 3, and 21 were omitted; also collected in Marvel Masterworks: The X-Men Vol. 7, Essential Classic X-Men Vol. 3, and X-Men Epic Collection #4: It's Always Darkest Before the Dawn (2019).
- This issue launches the arc (running through #13) in which the Brotherhood attempts to recruit the newly monstrous Beast, tying the solo strip directly to X-Men mythology and setting up the longer Secret Empire storyline Englehart would develop across subsequent issues.
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Reprints
Reprinted in Frankenstein #3 (1975), The Avengers #136 (1975), Héroes Marvel #12 (1975), Los Vengadores / Especiales y Extras #1 (1986), Marvel Masterworks: The X-Men #7 (2008), Essential Classic X-Men #3 (2009), Marvel Classic #6 (2012), X-Men : l'intégrale #1972-1975 (2012), X-Men: Children of the Atom #[5] (2019), X-Men Epic Collection #4 (2019)
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