Agonizing Love #[nn]
☆ Be the first to review + Add to your collection — Join freeThis collection gathers a selection of romance comics from the 1940s and 1950s, showcasing the genre's dramatic storytelling, lush artwork, and cultural themes of love and longing during its golden age. Edited by Michael Barson, the volume includes stories from various publishers and creators, offering a nostalgic look at the era's comic book romance narratives.
In "How Did He Propose?", Lynn and David share a quiet, steady love—until a year of unspoken expectations begins to weigh on Lynn, who’s tried every subtle hint to spark a proposal. Then, at the wedding of her friend Doris, David surprises her with a question that changes everything.
In "With Hate in My Heart!", aspiring writers Vern and Clark find love, only to see it tested when Clark’s novel sells before Vern’s. Jealousy takes hold, driving them apart—until Vern channels her pain into a powerful new story, and Clark reveals his departure was a quiet hope all along.
In "I Craved His Kisses!", Diana finds herself drawn to lawyer Neil during a trip to Reno for a divorce, but their budding romance is tested when Neil walks away from the practice—and from her—just as things begin to deepen. When Mrs. Roberts’ husband unexpectedly shows up, the past and present collide, setting off a chain of emotions neither of them saw coming.
In "Loveless Marriage?", aspiring novelist Eva trades small-town dreams for the bright lights of New York, only to face cold rejections and sleazy publishers. When she finds unexpected support in Ted, her writing begins to flourish—leading to a proposal born not of passion, but gratitude. As their relationship strains under unspoken feelings and emotional distance, Eva must confront what she truly wants before it's too late.
In "Mama's Apron Strings," department store clerk Meg navigates the quiet tension of dating concert pianist Rick, whose mother remains skeptical of their relationship. When a sudden moment at a baseball game forces Rick to choose between his career and Meg’s safety, their bond is tested in a way neither expected.
In "I Married a Good Time Charlie!", Fran finds herself overwhelmed by her husband Gordy’s endless social energy—his popularity makes it nearly impossible to share quiet moments together. After leaving him and returning home, she realizes her own reluctance to embrace his world may have fueled the distance between them. When she returns, Gordy agrees they’ll find a balance, making room for both connection and company.
In "Marry Me Now," Marilyn faces a crossroads when her mother urges her to abandon her plans to elope with Bud, a man without a steady job who works as a promoter. A quiet drive with her parents becomes a turning point, as her father shares memories of their own humble beginnings and the quiet joy that came with them. The moment shifts everything, leading to a reunion with Bud — but how it all unfolds remains tenderly uncertain.
In "A Spot in the Sun," Elsa and Mack begin their life together with dreams of a home of their own, but family pressures pull them into living with Mack’s mother, Mrs. Gowan. As tensions rise and Elsa’s efforts to fit in are undermined, a sudden accident leaves her unable to move—testing the strength of her marriage and her hope for independence.
In "Should I Give Up My Career for Marriage?", Rita faces a painful choice after her promotion to department head: her rising career or the love of Paul, who insists she must choose between her job and their future together. With no clear answer in sight, she’s left to weigh what truly matters—her ambitions or the life she dreams of building with him.
In "I Was Engaged to a Puppet!", Edith finds her engagement to her boss Arnold shattered when his mother rejects her on class grounds. Just as hope fades, Arnold’s rebellious brother Allen takes her away, defying family expectations—and the two begin a new life together.
In "Kisses Came Second," Jill finds herself swept up in the whirlwind of wedding plans, chasing the fantasy of a perfect life defined by possessions and approval. When her fiancé Gary distances himself, frustrated by her focus on the details of the wedding rather than their relationship, he breaks things off and transfers to Arizona. Now, faced with her own realization, Jill must decide whether she’s ready to follow him—not just to be his wife, but to truly be with him.
In "Love or Pity?", Ginny faces a storm of public scrutiny when her brother Perry is charged with mail fraud, unraveling her family’s stability and testing her engagement to Ken. As the press turns and her father resigns, Ginny questions whether Ken’s loyalty stems from love or pity—until a chance encounter on her way to the city offers a fleeting glimpse of unexpected support. Back home, she makes her choice, and time will tell what the future holds.
In "The Man I Couldn't Love," Mary struggles to reconcile her heart with her principles—her father’s death as a cop has made her wary of romance with another officer, even as Terry’s quiet dedication pulls at her. She tries to move on with Gabor, the opera singer who sees her truth but can’t change it, until a moment of courage forces her to face what she’s been avoiding.
In "Love Is Where You Find It!", Alice dreams of a life beyond the slums she shares with her boyfriend Frank, whose contentment with their circumstances sparks a rift between them. As their relationship crumbles, Alice leaves the mill to become a receptionist, where she meets her boss Steve—leading to a new chapter filled with love, marriage, and the promise of a different future.
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Reprints
↩ Reprints Young Romance #3 [3] (1948), Young Romance #5 (5) (1948), Young Romance #2 (8) (1948), Young Romance #3 (9) (1949), Best Love #33 (1949), First Love Illustrated #4 (1949), First Romance Magazine #1 (1949), Darling Love #2 (1949), Love Tales #39 (1949), Romantic Marriage #2 (1950), Boy Meets Girl #1 (1950), Lovers' Lane #3 (1950), Love Diary #5 (1950), Rangeland Love #2 (1950), True-to-Life Romances #3 (1950), Best Love #36 (1950), Boy Meets Girl #2 (1950), Love Lessons #4 (1950), My Love #4 (1950), Young Love #2 [8] (1950), Boy Meets Girl #3 (1950), Young Romance #11 (23) (1950), Young Love #7 [13] (1950), Love Tales #44 (1951), Girls' Romances #7 (1951), Young Romance #6 (30) (1951), Love Diary #14 (1951), First Love Illustrated #12 (1951), Love Letters #9 (1951), First Romance Magazine #7 (1951), Love Confessions #9 (1951), First Love Illustrated #14 (1951), Lovelorn #17 (1951), Romantic Marriage #7 (1951), Lovelorn #23 (1952), Romantic Marriage #13 (1952), Heart Throbs #11 (1952), Wartime Romances #7 (1952), Young Brides #1 [1] (1952), Diary Secrets #14 (1952), Boy Loves Girl #30 (1953), Lovers' Lane #38 (1953), Boy Loves Girl #33 (1953), My Own Romance #29 (1953), True Love Problems and Advice Illustrated #23 (1953), Love Diary #37 (1953), First Love Illustrated #34 (1953), Teen-Age Brides #3 (1953), Brides Romances #4 (1954), Boy Loves Girl #45 (1954), Brides Romances #6 (1954), Brides Romances #7 (1954), Bride's Secrets #4 (1954), True Life Secrets #23 (1954), Lovers #70 (1955), Love Romances #52 (1955), True Love Confessions #10 (1955), Girls in Love #52 (1956), True Love Problems and Advice Illustrated #38 (1956), My Own Romance #53 (1956)
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