Wonder Woman #190
Wonder Woman #190 sits squarely at the midpoint of the so-called 'Diana Prince era' (issues #178–204), the controversial 1968–1973 stretch during which Diana surrendered her Amazon powers, her costume, and her mythological trappings to become a mod civilian martial artist — a creative gamble that ignited a national feminist debate and ultimately forced DC's hand in restoring the character's classic identity. The issue is a representative artifact of that pivotal period: a powerless, non-costumed Diana navigating a sword-and-sorcery dimension entirely on her wits, her I-Ching-taught combat skills, and her nerve, encapsulating the stripped-down, genre-blending storytelling that defined the era. While #190 does not carry a landmark first appearance, it opens the two-part 'Detour' arc that introduces Ranagor and the alien world of Chalandor, minor but catalogued additions to the Diana Prince mythology. Its larger significance lies in context: the cultural backlash against the depowered Diana — eventually championed in print by Gloria Steinem — was already building when this issue went on sale, making every issue of this window a historical marker in the debate over how comics portray female power.
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The Diana Prince era was architected by editor Jack Miller, writer Dennis O'Neil, and artist-plotter Mike Sekowsky beginning with #178 (1968), with the premise — drawn from the British TV series The Avengers and Diana Rigg's Emma Peel — of making Diana a fashionable, self-reliant civilian martial artist rather than a mythological powerhouse. By issue #182, Sekowsky had consolidated creative control as writer-editor-artist, and #190 falls squarely within his solo tenure. Sekowsky, who had previously been the defining artist on Justice League of America, brought a romance-comics glamour and kinetic layout energy to the run; ComicsAlliance has noted that his work on these issues drew on 'Romance comics, ad design, and a hint of Steranko.' The issue was published bi-monthly by National Periodical Publications (DC's formal indicia name at the time) and went on sale July 2, 1970, per copyright registration records.
Trivia · 8 facts
- Cover date: September–October 1970; on-sale date July 2, 1970 (per GCD copyright registration data).
- Mike Sekowsky is credited as writer, penciller, AND editor — a rare triple role that defined the entire middle stretch of the Diana Prince era (approximately #182–198).
- Story title: 'Detour' — a two-part arc continued and concluded in issue #191.
- First appearance of Ranagor, a sword-and-sorcery barbarian, and the alien gladiatorial world of Chalandor, including its antagonist the Queen of Chalandor and shadow creatures called Shadowmen.
- The issue falls within the 'Diana Prince era' (#178–204), in which Wonder Woman had voluntarily surrendered her Amazon powers and costume to remain in 'Man's World,' replacing superpower-based heroics with I-Ching-taught martial arts and espionage-style adventures.
- Published bi-monthly by National Periodical Publications Inc. under the DC/Superman National Comics brand; approved by the Comics Code Authority.
- The story has been reprinted in: Diana Prince: Wonder Woman Vol. 3 (DC, 2008), Wonder Woman: Diana Prince: Celebrating the '60s Omnibus (DC, 2018/2019), and — in black-and-white reframed format — in the French anthology Aventures Fiction #51 (Arédit-Artima, 1976).
- The Diana Prince era that this issue belongs to directly influenced the 1974 Wonder Woman TV movie starring Cathy Lee Crosby, in which Diana was portrayed as a non-superpowered spy rather than an Amazonian warrior.
Full credits
Reprints
Reprinted in Aventures Fiction #51 (1976), Diana Prince: Wonder Woman #3 (2009), Wonder Woman: Diana Prince: Celebrating the '60s Omnibus #[nn] (2019)
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