Wolverine #9
In "Lagerfeuergeschichten," Wolverine and Gambit are caught in a deadly web after a series of murders in London points to a mutant suspect—only to find themselves cornered by police and rescued by a mysterious woman claiming to be sent by Nick Fury. As they flee into the dark, claustrophobic tunnels beneath the city, a single match lit by Gambit reveals a shocking truth: Wolverine may have been the killer all along. Written by Jeph Loeb and Reinhard Schweizer, with moody, atmospheric art by Tim Sale and coloring by Gregory Wright and Digital Chameleon, this issue builds tension through paranoia and shifting realities. The cover by Adam Kubert and Jesse Delperdang captures the grim, shadowed urgency of the story.
In "Lagerfeuergeschichten," Wolverine and his X-Buddies head out for a camping trip that quickly turns eerie when Cyber’s mechanical Death Watch Beetles descend, devouring everything organic in their path—leaving only the skeletal remains of Adamantium behind. With the Dark Riders [Spyne; Lifeforce; Hurricane] lurking in the shadows, the line between survival and something far more sinister begins to blur.
In "Opfer, Teil Zwei: Bis zum Hals," Logan and Gambit are trapped by London police after a series of murders implicates a mutant, only to be rescued by the enigmatic Martinique, who claims she’s acting on orders from Nick Fury. With their escape route cut off, they plunge into the dark, treacherous sewers beneath the city, where a single match lit by Gambit reveals a horrifying truth: Wolverine may have killed the very woman they’re trying to protect. As they navigate the claustrophobic tunnels, paranoia sets in—Logan begins to wonder if someone is manipulating their minds.
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↩ Reprints Wolverine / Gambit: Victims #2 (1995), Wolverine #96 (1995)
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