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The New Mutants #18 cover
Cover: Bill Sienkiewicz

The New Mutants #18

Aug 1984 · Marvel · 0.60 USD; 0.30 GBP; 0.75 CAD
📊 ~27,027 copies sold its debut month
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“Death-Hunt”
★ 1st appearance — Warlock
About this Issue

New Mutants #18 marks one of the most decisive single-issue pivots in 1980s Marvel history: it is simultaneously the debut issue of artist Bill Sienkiewicz on the series and the opening chapter of the Demon Bear Saga, a three-part storyline that dragged a safe, formulaic teen-superhero book into the territory of supernatural horror and mature storytelling. Sienkiewicz's radically experimental approach — mixed media, painterly covers, fractured panel layouts, and oppressive color work by Glynis Wein — was so jarring a departure from the Sal Buscema issues immediately preceding it that critics and readers have described the tonal shift between issues 17 and 18 as genuinely shocking. The issue also introduces Warlock, a shapeshifting techno-organic alien whose design is so inseparable from Sienkiewicz's aesthetic that he became one of the defining characters of the entire Claremont era. Together, these elements gave New Mutants its own creative identity apart from Uncanny X-Men and demonstrated that mainstream superhero comics could sustain a genuine horror register.

In "Death-Hunt," Danielle Moonstar faces the terrifying return of the Demon Bear that killed her parents, while Rachel Summers struggles to reach Professor X across time and Warlock flees from the shadow of his father, Magus. Written by Chris Claremont and brought to life with haunting art by Bill Sienkiewicz—both in pencils and inks—this 1984 issue delivers a pulse-pounding blend of dread and urgency. The cover, also by Sienkiewicz, captures the moment’s intensity with a stark, expressive vision.

writer Chris Claremont · artist, inker Bill Sienkiewicz · colorist Glynis Wein · letterer Tom Orzechowski · cover Bill Sienkiewicz

ComicBooks.com Value

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Raw (VF) $6
CGC 9.8 · 445 in census $68
CGC 9.6 · 356 in census $34*
CGC 9.4 · 203 in census $24*
CGC 9.2 · 88 in census $22*
CGC 9.0 · 53 in census $20*
CGC 8.5 · 44 in census $20*
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CGC 8.0 · 24 in census $20*
CGC 7.5 · 18 in census $20*
CGC 7.0 · 10 in census $20*
CGC 6.5 · 4 in census $20*
CGC 6.0 · 9 in census $20*
CGC 5.5 · 4 in census $20*
CGC 5.0 · 3 in census $20*
CGC 4.5 none in existence
CGC 4.0 none in existence
CGC 3.5 none in existence
CGC 3.0 · 1 in census $20*
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History

Writer Chris Claremont invited Sienkiewicz — fresh off his acclaimed run on Moon Knight — to take over as regular series artist beginning with this issue, a bold editorial decision made under editor Ann Nocenti, who had recently taken charge of Marvel's X-line. Marvel promoted the shift aggressively with an in-house advertisement bearing the headline 'Don't Call 'Em X-Babies Anymore!' The Warlock character and his father Magus were conceived by Claremont and Sienkiewicz as a deliberate homage to Jim Starlin's Adam Warlock and the Magus, transplanting that cosmic mythology into the X-Men's street-level world.

Trivia · 8 facts

  • First appearance of Warlock (Technarch alien, son of Magus), created by Chris Claremont and Bill Sienkiewicz — sources debate whether this constitutes a cameo or a full first appearance (see Flagged).
  • First appearance of Magus, ruler of the Technarchy and Warlock's father, also created by Claremont and Sienkiewicz and explicitly conceived as a homage to Jim Starlin's cosmic villain of the same name.
  • First full appearance of the Demon Bear — the creature had previously manifested only as a psychic illusion in Dani Moonstar's dreams; here it appears physically and critically wounds her.
  • Issue #18 marks Bill Sienkiewicz's debut as regular series artist, replacing Sal Buscema; his surrealist, mixed-media style represented a radical break from Marvel's house aesthetic of the era.
  • Story title is 'Death-Hunt'; written by Chris Claremont, colored by Glynis Wein, lettered by Tom Orzechowski, edited by Ann Nocenti, with Jim Shooter as Editor-in-Chief.
  • Rachel Summers (from the Days of Future Past timeline) appears in her first visit to the Xavier Mansion in the main 616 continuity, attempting to contact Professor X.
  • The issue opens the three-part Demon Bear Saga (New Mutants #18–20), widely regarded as the defining storyline of the original New Mutants series and one of the landmark horror-inflected superhero stories of the Copper Age.
  • The Demon Bear Saga has been collected in multiple formats, including the New Mutants Classic Vol. 3 trade paperback and the dedicated New Mutants: Demon Bear trade paperback (which also includes X-Force material featuring the character's later appearances).

Full credits

artist, inker Bill Sienkiewicz
colorist Glynis Wein
cover pencils, inks Bill Sienkiewicz

Reprints

Reprinted in Titans #76 (1985), Titans #77 (1985), Die Gruppe X #15 (1990), The New Mutants: The Demon Bear Saga #[nn] (1990), I Nuovi Mutanti #15 (1990), Archivos X-Men #1 (1995), X-Men Classic #3 (2012), New Mutants / X-Force: Demon Bear #[nn] (2014), Marvel Icons : New Mutants #[nn] (2018), New Mutants: Demon Bear #[nn] (2018), New Mutants Epic Collection #2 (2019), The New Mutants : L'intégrale #1984 (2019), New Mutants Omnibus #1 (2020), Marvel Comics - La collection #210 (2022), De New Mutants #9, New Mutants Classic #3

Key issues in The New Mutants

Variants (2)

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