The Nazz #1

DC's mature-readers miniseries opens with a striking image: a shirtless, long-haired figure seated cross-legged in quiet meditation, a beaded necklace resting on his chest and three lit candles arranged before him — all set against a towering wall of skulls bathed in ominous amber light. Bryan Talbot's cover art (colored by Steve Whitaker) blends spiritual stillness with an undercurrent of darkness, the contrast between the serene central figure and that haunting ossuary backdrop immediately signaling that The Nazz operates in compelling, unconventional territory. Tom Veitch and Talbot's collaboration looks like exactly the kind of ambitious, atmospheric storytelling that made DC's late-1980s/early-1990s prestige format so worthwhile.