The Lost Women and Other Stories #[nn]
☆ Be the first to review + Add to your collection — Join freeThis collection brings together early stories by Jaime Hernandez, showcasing his distinctive blend of punk rock energy and nuanced character work. Featuring tales originally published in the 1980s, the volume highlights Hernandez's evolving style and his focus on complex female characters navigating love, identity, and subculture. A key artifact from the foundational era of alternative comics, it captures the raw creativity that defined the Hernandez brothers' impact on the medium.
"Young Locas" is a poignant, character-driven story from Jaime Hernandez’s acclaimed Locas series, capturing the restless energy and emotional undercurrents of Maggie and Hopey as they navigate life on the margins. With Hernandez handling every aspect of the interior art, inking, and lettering, the issue blends intimate storytelling with his signature observational detail, all anchored by a quiet moment of revelation when Maggie learns of a rumor about her own death. The cover, also by Hernandez, perfectly mirrors the story’s mood—worn, candid, and alive with unspoken tension.
Maggie, torn between loyalty and longing, begins to imagine a life beyond Sal's Garage—until Harvey interrupts her thoughts with the promise of her first real solar job. The moment pulls her into a new world, but the weight of what she’s leaving behind lingers in the quiet spaces between her friends.
In "The Lost Women / Las Mujeres Perdidas part three," tensions rise as Hopey grapples with Izzy’s accident and silence from Maggie, who’s stranded on the volatile island of Chepan. Meanwhile, Dot’s unexpected romance with Rand Race sparks jealousy, especially when Maggie learns of their night together. As Dr. Beaky refuses to negotiate with Chepan’s rebels, sabotage escalates—until a bomb detonates in a building where Maggie and visiting Rena are staying, leaving the outcome uncertain.
In the shadowed depths of forgotten tunnels, Maggie and Rena press on, their only hope a fragile chance to vanish into the city’s hidden veins. With the surface above them sealed by fire and false reports of their deaths, they navigate the damp, twisting passages—each step a gamble, each turn a new uncertainty, as the city’s secrets begin to whisper around them.
In the fifth part of "The Lost Women / Las Mujeres Perdidas," Rena and Maggie emerge from the treacherous Chepan sewer tunnel into a vast, unforgiving desert, their survival now uncertain. Meanwhile, back at the surface, Hoppers struggles to cope with the absence of Maggie, haunted by the belief that she didn’t make it out alive.
In the quiet aftermath of a storm, Rena Titañon and Maggie [Margarita Luisa Chascarrillo] wait in a remote Chepan village, caught between the world’s belief that Rena is dead and the uncertain future that lies ahead. With the authorities closing in, Rena chooses to vanish into the freedom of anonymity, while Maggie makes the quiet, resolute decision to turn herself in—leaving the island with a final note to Rand Race, a farewell etched in silence.
In "Locas en la Cabeza," Izzy’s reckless promise to give her old car to Maggie sets off a chain of events that pulls the group into a chaotic evening at Maddog’s, where Hopey’s band La Llorona is set to perform. With Maggie eager to make a statement and Speedy behind the wheel, tensions simmer as old connections and unresolved feelings come to the surface.
In "Locas at the Beach," Maggie finds herself caught between old routines and new possibilities as she helps fix Mister Lopez’s fruit truck, drawing both curious glances and quiet admiration from Correo, the new arrival in town. Meanwhile, Hopey’s growing closeness with Maggie stirs tension, especially when Terry, frustrated with her band’s dynamics, tries to stir trouble between them.
In a quiet, lingering moment between drift and decision, Maggie and Hopey comb through thrift stores and city streets, searching for a place to belong. When Maggie returns to Izzy’s, the weight of a misheard rumor about her own death in Chepan settles in the air—her past, like the city itself, refusing to stay buried.
In "Queen Rena Life at 34," a younger Rena Titañon sets out across the desert to confront Sharkey Horwitz after he steals from and assaults Rosie Ramelli. Her pursuit ends in a brutal encounter with law enforcement officer Bull Marie, who arrests Sharkey but leaves Rena beaten and stranded. Found by Duke and Bernie Carbo, Rena begins a fragile new chapter—only to face Sharkey again near the Mexican border, where the past catches up with her and Rosie.
In "House of Raging Women," Rena Titañon returns to the ring with a fury that cuts deeper than ever, chasing Vicki Glori’s title while secrets from her past threaten to unravel everything. As she rallies her circle—Maggie, Hopey, Izzy, and the others—Rena grapples with the weight of a hidden truth: her absence from the ring wasn’t by choice, but because she was waiting to welcome her son Antonio, a child whose arrival has been blocked by the stern Mrs. Minder. The tension simmers beneath the spotlight, where loyalty, ambition, and motherhood collide.
ComicBooks.com Value
Find on ebay
Where to buy
Read it digitally
Sell my copy
Have this issue — or a whole collection? Get a fair offer from us, skip the marketplace fees and the hassle.
We Buy Collections ▸Cast · 1 character
Full credits
Reprints
↩ Reprints Love and Rockets #6 (1984), Love and Rockets #7 (1984), Love and Rockets #8 (1984), Love and Rockets #9 (1984), Love and Rockets #10 (1985), Love and Rockets #11 (1985), Love and Rockets #13 (1985), Love and Rockets #14 (1985), Love and Rockets #15 (1986), Love and Rockets #16 (1986), The Complete Love & Rockets #3 (1987)
Reprinted in Love and Rockets: The Covers #[nn] (2013)
Reviews
Reader reviews
No reader reviews yet.