Superaventuras Marvel #37
In "O Que Aconteceria se Fênix não Tivesse Morrido?", a narrativa imagina uma realidade alternativa onde Jean Grey não morre, mas renasce com o poder da Fênix. Escrita por Jo Duffy e João Paulo L. B. Martins, com arte de Jerry Bingham e inkers John Stuart, Al Milgrom e Terry Austin, a história segue os X-Men em uma batalha contra Galactus e Terrax na galáxia Shi'ar, onde Jean, ao liberar a força da Fênix, salva o universo — mas começa a perder o controle. A coragem da Fênix, então, se transforma em uma ameaça cósmica que ameaça consumir tudo. A capa, desenhada por John Byrne com traços de Terry Austin, captura o momento de tensão entre poder e perda de controle.
In "O Que Aconteceria se Fênix não Tivesse Morrido?", Uatu explores a haunting alternate reality where Jean Grey never died. In this path, she awakens again, wielding the Phoenix Force to save the Shi'ar Empire from Galactus—only to find herself overwhelmed by its power. As she returns to the Mansion, her struggle to control the cosmic entity spirals beyond the X-Men’s reach, threatening to consume all of existence.
In "Vingança," Luke Cage takes it upon himself to uncover the truth when Claire Temple is framed for the murder of Phil Fox, with the real culprit holding Mrs. Jenks hostage. With the police blocking his access to Claire, Luke orchestrates a daring prison break to reach her and piece together the mystery. Determined to expose the real villain and clear Claire’s name, he sets out on a relentless pursuit of justice.
In "A Quarta Expedição," the Celestials descend upon the City of Gods in the Andes, where Ajak receives a mysterious capsule from Gammenon. With the help of Daniel Damian, she uses ancient temple technology to reunite the scattered atoms of three S.H.I.E.L.D. agents banished moments before—only to discover their return comes at a cost: the group is now trapped within the temple, with no way out.
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↩ Reprints Marvel Premiere #11 (1973), Hero for Hire #15 (1973), The Eternals #7 (1977), What If? #27 (1981), Doctor Strange #56 (1982)
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