Spider-Man Magazine #14
☆ Be the first to review + Add to your collection — Join freeIn "Carnival of Chaos!", Spider-Man swings into a chaotic scene at a film set, mistaking a staged purse theft for a real crime—only to discover the Shocker was just playing a role in a movie called Mighty Man vs. the Shocker. When the real Shocker arrives, furious that his moment in the spotlight was stolen, Spidey finds himself caught between two very different kinds of trouble. Written by Scott Proudfit and brought to life with bold, dynamic art by Marie Severin, this 1995 issue blends action and irony in a story that’s as playful as it is unpredictable. The cover, a vibrant, stylized spectacle by the Hildebrandt brothers and Wayne A. Murray, captures the frenzy perfectly.
In "Carnival of Chaos!", Jubilee finds herself in the middle of a chaotic day at the fair when a malfunctioning ferris wheel puts children in danger. Her quick rescue sparks tension as the crowd turns on her for being a mutant, drawing in the very Sentinels meant to protect them.
In "Lights... Camera... Shocker!", Spider-Man swings in to stop the Shocker from stealing a purse—only to discover the whole scene was a movie shoot for *Mighty Man vs. the Shocker*. Just as he’s trying to process the chaos, the real Shocker shows up, furious that the stunt double stole his moment in the spotlight.
In "A Tail of Revenge!" from Spider-Man Magazine #14 (1995), Scorpion storms the Daily Bugle seeking retribution against J. Jonah Jameson, setting off a high-stakes clash that brings Spider-Man into the fray. With the pressroom's machinery whirring and Jameson trapped on the conveyor belt, the tension escalates in a fight that tests both hero and villain in the heart of the newsroom.
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Reprinted in Adventures of Spider-Man: Radioactive #[nn] (2019)
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