Marvel Gold. El Asombroso Spiderman: Días de Gloria #[nn]
In "¡Qué Verde era mi Duende!", a newly freed Kraven hunts down the Green Goblin’s promised reward—only to find the Goblin’s supposed heir, Harry Osborn, throwing a farewell party for Flash Thompson. With Peter Parker caught in the middle and a mysterious amnesic Norman Osborn arriving unannounced, Spider-Man must swing into action before the chaos spirals out of control. Written by Stan Lee and Santiago García, with art by John Romita and lettering by Estudio Din&Mita, this 2012 Marvel Gold tale blends classic tension with a twisty, high-stakes party scene, all wrapped in a cover by John Romita.
In "¡Qué Verde era mi Duende!", Peter Parker visits the doctor with a cold, only to learn Aunt May’s health is dangerously fragile. When Spider-Man is ambushed by goons wielding a strange gas, he’s left vulnerable—his spider sense dulled, his identity exposed as Peter Parker in front of the Green Goblin. Trapped in the Goblin’s lair, Peter faces a chilling revelation when the villain removes his mask, revealing a face he never expected: Norman Osborn.
In a tense showdown at Peter Parker’s apartment, Norman Osborn holds the web-slinger captive and reveals the dark past that forged him into the Green Goblin—his descent into madness, his obsession with Peter, and the secrets that bind them. With Aunt May’s health fading and Betty Brant on the verge of returning to New York, Spiderman must fight not just for his life, but for the future he’s trying to protect.
In "¡Los cuernos del Rino!", Peter Parker finds himself caught between old ties and new feelings as he reconnects with Betty Brant, while his romantic tension with Gwen Stacy lingers in the background. Meanwhile, the mysterious Rino makes his way toward New York with no clear purpose, and Colonel John Jameson reveals a shocking secret: he’s been infected by alien spores during a space mission and now requires protection from foreign powers eager to study him.
In this standout tale from *Marvel Gold: El Asombroso Spiderman: Días de Gloria #nn*, Spider-Man is called to prove he’s ready to join the Avengers—on one condition: capture the Hulk. The challenge is no joke, and with the weight of the team’s trust on his shoulders, Spider-Man must rely on wit, speed, and heart to face the green giant in a test that could define his place among legends.
In "¡El nacimiento de un superhéroe!", the Coronel John Jameson, empowered by alien spores, takes up the mantle of a vigilante determined to capture Spiderman after a bank heist, while the authorities struggle to contain the rampaging Rino. Meanwhile, Peter Parker faces a personal dilemma when he must decline Gwen Stacy’s invitation to spend time together, as Aunt May insists he meet Mary Jane Watson—the niece of Anna May Watson—on a long-awaited family date.
In "¡El Rino desencadenado!", Peter Parker finds himself torn between Mary Jane Watson’s charm and lingering thoughts about Gwen Stacy, while Betty Brant makes a choice that could change their dynamic forever. Meanwhile, the escaped Rino is on a deadly mission to capture the recovering Colonel John Jameson—and now sees Spider-Man as his ultimate target. With the help of Doctor Curt Connors, the web-slinger must stop Rino before his rage turns deadly.
In "¡Dónde acecha el Lagarto!", Spiderman finds himself tangled in a web of deception as the return of the Lizard—sparked by Dr. Curt Connors' past help—threatens to ruin his reputation in the eyes of the public. Meanwhile, Peter Parker navigates shifting dynamics at school, from Mary Jane Watson’s arrival in the group to Flash Thompson’s enlistment and Gwen Stacy’s unexpected reaction, all while Aunt May heads off to Florida for a break.
When a damaged arm threatens both Spider-Man’s secret identity and his ability to fight, he must rely on wit over strength to stop a deadly Lizard commanding a swarm of reptiles. Meanwhile, Peter Parker’s personal life spirals—Mary Jane seems distant, and his finances are in shambles—leaving him stretched thin on every front.
In the wake of his prison release, Kraven the Hunter sets his sights on Norman Osborn, believing the Green Goblin promised a bounty for Spider-Man’s defeat—though he never actually delivered. Tracking Osborn’s son Harry through a wild farewell party for Flash Thompson, Kraven’s hunt collides with Peter Parker’s presence at the celebration, forcing Spider-Man to step in. But the situation spirals when a memory-loss-stricken Norman Osborn unexpectedly shows up, turning the already tense night into something far more unpredictable.
In "¡El fin de Spiderman!", Peter Parker tries to leave the life of a superhero behind, trading the web-slinging for the quiet of university life after his aunt’s health takes a turn. When a discarded Spider-Man suit ends up in the hands of the Daily Bugle, Peter’s decision to step away sets off a chain of events that forces him to confront the consequences of his absence—especially as crime surges and Kingpin begins to consolidate power.
In "¡En las garras del... Kingpin!", Spiderman returns to the fray, disrupting Kingpin’s criminal operations—only to find himself outmaneuvered when the crime lord enlists the shady reporter Foswell and kidnaps J. Jonah Jameson. With the web-slinger cornered and incapacitated by a mysterious gas, he faces the full weight of Kingpin’s power, setting up a tense showdown with no clear escape in sight.
In "¡La muerte de un héroe!", Spiderman faces a deadly trap in Kingpin’s underground lair, where the villain attempts to drown him and J. Jonah Jameson. As the web-slinger fights to survive, Foswell makes a desperate choice to turn on Kingpin and save Jameson—paying the ultimate price. Meanwhile, Flash Thompson returns home, his military service behind him, setting the stage for new tensions.
In "¡La llegada de Ka-Zar!," Spiderman struggles to piece together his fractured memories, while J. Jonah Jameson calls upon the jungle warrior Ka-Zar to bring him in—setting the stage for a tense clash between hero and outsider, and a mystery that may lie deeper than either man realizes.
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↩ Reprints The Amazing Spider-Man #39 (1966), The Amazing Spider-Man #40 (1966), The Amazing Spider-Man #41 (1966), The Amazing Spider-Man #42 (1966), The Amazing Spider-Man Annual #3 (1966), The Amazing Spider-Man #43 (1966), The Amazing Spider-Man #44 (1967), The Amazing Spider-Man #45 (1967), The Amazing Spider-Man #46 (1967), The Amazing Spider-Man #47 (1967), The Amazing Spider-Man #48 (1967), The Amazing Spider-Man #49 (1967), The Amazing Spider-Man #50 (1967), The Amazing Spider-Man #51 (1967), The Amazing Spider-Man #52 (1967), The Amazing Spider-Man #53 (1967), The Amazing Spider-Man #54 (1967), The Amazing Spider-Man Annual #4 (1967), The Amazing Spider-Man #55 (1967), The Amazing Spider-Man #56 (1968), Not Brand Echh #6 (1968), The Amazing Spider-Man #57 (1968), The Amazing Spider-Man #58 (1968), Marvel Super-Heroes #14 (1968), The Spectacular Spider-Man #1 (1968)
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