Iskalde Grøss #4/1992
In "Et ærlig håndverk," Jonathan, a man burdened by a grim inheritance, finds himself torn between duty and love. After marrying Elsie, he keeps his profession a secret, fearing the truth would drive her away—until a tragic betrayal forces her to confront the dark reality of his craft.
In "Mareritt i rødt," a man lives with a terrible secret: each morning, a vast bloodstain spreads across his ceiling, no matter how many times he paints over it. As he tries to hide the evidence—first with paint, then with a bucket to catch the imagined flow—his growing unease deepens when detectives question him, insisting there’s no stain and no blood in the bucket. The line between guilt and madness blurs as the stain persists, relentless and undeniable.
In "Komplottet," a man’s growing suspicion over his wife’s and best friend’s secretive behavior spirals into a deadly decision, driven by jealousy and mistrust—though their true intentions are far from what he believes. The story unfolds with quiet dread, as a simple act of planning a surprise becomes a matter of life and death in a moment of misjudgment.
In a quiet hospital room where the world is measured in voices and memories, Old Charlie’s vivid descriptions of the outside world bring comfort to two paralyzed patients. When Hank Bowers, a man claimed to be blind and imprisoned for murder, arrives, his silence cuts through the warmth—until a quiet plan begins to form in the stillness.
In "En strek i regningen," a man fleeing guilt after murdering his wife with a letter opener—once a gift from his lover Joyce—seeks refuge in South America, believing he’s escaped justice. Years later, he returns to find Joyce has been executed for the very crime he committed, her fingerprints on the weapon now damning her.
In the chilling quiet of Halloween night, a new matron at an orphanage stumbles upon a grim secret: the manager has been embezzling funds meant for the children. When he tries to silence her with violence, the children—silent witnesses to his cruelty—respond in a way that turns the holiday’s usual gaiety into something far more unsettling. *Allehelgensfesten* delivers a stark, unsettling tale of innocence twisted by desperation, where the line between protector and predator blurs beneath the flicker of a hollowed-out head.
In "En galning er løs," a new librarian in a quiet town lives in constant fear of a local maniac responsible for seven murders—until the chilling truth emerges that she is the one who has been killing. The story unfolds with a tense, creeping dread, as paranoia and identity blur in a small community where no one is safe from the past.
In "Galskap," Betty’s simmering hatred for her husband reaches a chilling crescendo as she orchestrates a slow, calculated campaign of feigned fainting—each episode a step closer to murder, each one staged with her husband’s brother present. When the deed is done, her escape from justice leads not to freedom, but to Harvey’s hospital, where the true nature of her punishment begins to unfold.
In "Et gryende lys," a man’s growing unease deepens when a mysterious girl he encounters in the woods matches the description of a dangerous escaped lunatic—yet it’s his girlfriend who becomes the latest victim, drawn into the dark truth behind the woods’ chilling silence.
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Reprints
↩ Reprints Crime SuspenStories #6 (1951), Crime SuspenStories #8 (1951), Shock SuspenStories #2 (1952), Shock SuspenStories #8 (1953), Shock SuspenStories #9 (1953), Crime SuspenStories #19 (1953), Shock SuspenStories #11 (1953), Crime SuspenStories #26 (1954), Crime SuspenStories #27 (1955)
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