Crime SuspenStories #19
☆ Be the first to review + Add to your collection — Join freeIn "The Killer," a chilling tale from Crime SuspenStories #19 (1953), a man’s obsession with gruesome murder stories takes a deadly turn when his own dark plans unravel under the cold light of a lunar eclipse. Written by Bill Gaines and Al Feldstein, with art by George Evans and colors by Marie Severin, this gripping story unfolds with a quiet dread that builds to a shocking twist—no full moon, no werewolf, just a man caught in his own trap. The cover, penciled and inked by Al Feldstein, captures the story’s tense atmosphere with stark, unsettling precision.
In "The Killer," Jo finds himself caught in a web of secrets when his wife Elsie’s sudden death sentence forces him to confront the truth about his profession—revealed only in the chilling aftermath of her crime. Written by a master of noir dread, this six-page tale from Crime SuspenStories #19 (1953) unfolds with quiet dread, exploring the weight of a life built on silence and the unbearable cost of truth.
In "Wined-Up!", Charles, confined to a wheelchair after a mysterious accident, discovers the truth: his wife Laura orchestrated the crash to kill him, planning to drown him by wheeling him out onto a pier. But Charles, far from helpless, has his own plan—one that turns her final swim into a fatal struggle.
In "Murder May Boomerang," a father and son whose bond is as tight as their shared life in the woods are shattered when a fugitive breaks into their cabin, stealing clothes and leaving the father near death. As the son races to find the man who hurt his father, a desperate chase unfolds—only to end in a terrible realization that the man they both believed to be the attacker might not have been the one at all.
In "About Phase," Wilbur’s chilling habit of recounting gruesome murders to his wife takes a dark turn when his own twisted plan unravels under the cold light of a full lunar eclipse. As he prepares to frame his wife’s murder as the work of a werewolf, the stars—and the moon—betray him. The story, written by a master of suspense, unfolds with a quiet dread that lingers long after the final page.
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↩ Reprints Crime SuspenStories #1 (1950)
Reprinted in Tales from the Crypt #2 (1954), Crime Suspenstories #4 (1983), Iskalde Grøss #4/1992 (1992), Iskalde Grøss #6/1994 (1994), Crime Suspenstories #19 (1997), Great American Comic Books #[nn] (2001), The Fantagraphics EC Artists' Library #11 (2014), The Fantagraphics EC Artists' Library #15 (2016), The Fantagraphics EC Artists' Library #30 (2021)
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