House of Secrets: The Bronze Age Omnibus #1
☆ Be the first to review + Add to your collection — Join freeThis omnibus collects the early Bronze Age run of DC's horror anthology House of Secrets, featuring the debut of the swamp creature known as the Heap and stories by legendary creators like Bernie Wrightson and Len Wein. It includes issues #81–100, originally published from 1969 to 1972, offering a mix of supernatural tales and macabre twists that defined the era's comic horror.
"Don't Move It!" from House of Secrets: The Bronze Age Omnibus #1 delivers a chilling tale of dread and suspense, written by Gerard Conway and illustrated by Bill Draut, whose stark, expressive art amplifies the creeping terror. Two girls, Judy and Peggy, venture into a haunted house seeking Peggy's missing brother Neal, only to face a malevolent entity that feeds on their deepest fear of death. The story’s oppressive atmosphere and unsettling premise are perfectly captured in Ryan Sook’s haunting cover, making this a standout entry in the series’ eerie anthology.
In "The House of Endless Years," two girls, Judy and Peggy, venture into a decaying mansion seeking Peggy’s missing brother, only to be met by a warning from an ancient hag who knows more than she should. As the house begins to reveal its true nature, they realize too late that its walls feed on fear—and time itself has no end within its halls.
In "The Coming of Ghaglan," a team of archaeologists unearths an ancient Egyptian scroll with the power to resurrect the dead—but when they lose it, they unknowingly hand it to a long-silent seeker who has waited centuries for its return. Written by a mysterious hand and illustrated with chilling precision, this six-page tale from House of Secrets: The Bronze Age Omnibus #1 delivers a creeping dread as the past stirs, and the dead may not stay buried.
In "Where Dead Men Walk!", Philip and Anne take up residence in the inherited Hastings Castle, only to find its halls thick with unease and shadows that move on their own. As the past refuses to stay buried, Jamieson appears with a warning—and a desperate plan to flee the estate, but even his help may not be enough to outrun what’s been waiting in the stones.
In "The Last Sorcerer," Manfrey, a stage performer whose illusions are powered by real magic, faces a quiet reckoning when he chooses to suppress his gifts to avoid their corruption. The story unfolds in a world where wonder and danger are one and the same, as Manfrey’s decision to vanish his power sets a fragile boundary between spectacle and sacrifice.
In "The Indestructible Man," a man believes himself untouchable—until the moment he reaches for a simple inkwell, unaware that the substance he dips his hand into is not ink at all, but a deadly poison. Written by an unnamed author and illustrated by an unnamed artist, this chilling six-page tale explores the fragile line between invincibility and fatal overconfidence.
In "Divide and Murder," John uses a chilling ability to split his spirit from his body, believing he can eliminate anyone who threatens him—until his latest target refuses to stay dead. When the victim slips into John’s form and begins to confess, the line between hunter and hunted blurs in ways John never anticipated.
In "Domain of the Damned!", Dan Walker wakes on a strange tropical island where the locals seem unnervingly familiar—yet utterly alien. As he fights to survive, his desperate escape leaves him forever changed, both in body and mind.
In "The Fatal Superstition," Burt Roman's desperate lie spins a web of guilt when he frames his murdered partner, Ed Huggins, with a fabricated curse tied to polka-dot kerchiefs—only to find the absurd myth he invented beginning to take on a terrifying life of its own. Written by a master of psychological dread and illustrated with eerie precision, this chilling six-page tale turns a twisted alibi into a haunting reckoning.
In "Skin Deep," a man whose appearance frightens others seeks beauty through a mask, hoping to win the affection of a woman he admires—only to find her reaction to his true face is far from what he expected. Written by an unnamed author and illustrated by an unnamed artist, this haunting eight-page tale from House of Secrets: The Bronze Age Omnibus explores the fragile line between perception and reality.
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Reprints
↩ Reprints House of Secrets #81 (1969), House of Secrets #82 (1969), House of Secrets #83 (1969), House of Secrets #84 (1970), House of Secrets #85 (1970), House of Secrets #86 (1970), House of Secrets #87 (1970), House of Secrets #88 (1970), House of Secrets #89 (1970), House of Secrets #90 (1971), House of Secrets #91 (1971), House of Secrets #92 (1971), House of Secrets #93 (1971), House of Secrets #94 (1971), House of Secrets #95 (1971), House of Secrets #96 (1972), House of Secrets #97 (1972), House of Secrets #98 (1972), House of Secrets #99 (1972), House of Secrets #100 (1972), House of Secrets #101 (1972), House of Secrets #102 (1972), House of Secrets #103 (1972), House of Secrets #104 (1973), House of Secrets #105 (1973), House of Secrets #106 (1973), House of Secrets #107 (1973), House of Secrets #108 (1973), House of Secrets #109 (1973), House of Secrets #110 (1973), House of Secrets #111 (1973)
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