House of Secrets #14
☆ Be the first to review + Add to your collection — Join freeIn "The Curse of the Fire God," a fugitive named Pete Marek flees to the Peruvian jungle with a million dollars in his possession, only to find himself trapped between a festival honoring the Fire God and a series of increasingly perilous obstacles. As lightning strikes and bridges ignite, the line between fate and accident blurs—especially when the sun's rays, focused through his glasses, spark a blaze that leads his pursuers straight to him. Howard Purcell's moody art brings the jungle's menace to life, while Bob Brown's cover captures the story's eerie, suspenseful tone.
In "The Curse of the Fire God," Pete Marek flees across the Peruvian jungle after stealing a fortune, only to find his escape blocked by a mysterious festival honoring a deity of flame. As he presses on through warnings and worsening dangers—lightning, a burning bridge, and a treacherous climb into the snow—his fate becomes entangled with forces beyond his control. The story unfolds with a chilling blend of suspense and supernatural dread, all rooted in a single, fateful choice.
In "The Swami of Broadway," Dean Hall and Orry Kane travel through Bengal, where a mysterious swami foretells an elephant stampede that saves the village—just in time. Months later, the same swami appears at Hall’s theater, making uncannily accurate predictions that leave everyone stunned. When he warns that the theater will be struck by a meteor, Hall sells the venue to Kane and departs, only to discover the swami was a fraud—just before the sky answers his prophecy.
In "The Fantastic Wishing Well," Brad Horton’s desperate bid to escape a life of crime leads him to a mysterious well in the woods—where a single nickel grants him a second chance, and then a fortune. As his luck spirals from wish to wish, the line between magic and consequence blurs, and the well’s true price begins to reveal itself.
In "The Man Who Stole Air," former scientist Eric Fowler is caught in a strange experiment when he attempts to outwit tiny alien visitors by using a magnifying device to project giant illusions of them—fueled by a promise of helium, their vital fuel. As George Croft, assigned to monitor him, watches in disbelief, the towering images of the aliens march toward an army base before the truth behind the deception is revealed. The story unfolds with quiet tension and a touch of wonder, blending scientific curiosity with a moment of unexpected diplomacy.
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Reprinted in Mystery in Space #8 (1959), Five-Score Comic Monthly #12 (1959), Big Boy #37 (1959), Relatos Fabulosos #2 (1959), The Hundred Comic Monthly #37 (1959), Big Boy #41 (1960), Race for the Moon #9 (1963), House of Mystery #195 (1971), Shock Classics #25 (1974), Skrækmagasinet #2/1974 (1974), Skrekk Magasinet #2/1974 (1974), Horror #19 (1974), The Unexpected #159 (1974), Big Boss #22 (1975), Showcase Presents: The House of Mystery #2 (2007), Superman Presents Wonder Comic Monthly #121
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