G.I. Joe #13
In "Present Day," the G.I. Joe team confronts a chilling revelation tied to a mysterious poem by Signore Alighieri, whose work eerily foretells COBRA’s fate. Written by Paul Allor and illustrated by Chris Evenhuis, with colors by Joana Lafuente and letters by Gilberto Lazcano, this issue explores how a literary prophecy unexpectedly shapes the future of the world’s most notorious villainous organization. The cover, by Steve Kurth and Allen Martinez, captures the tension of a story where myth and espionage collide.
In "Present Day" from G.I. Joe #13 (2014), the Baroness and Siren track down the Yakuza for answers about the human traffickers who took Siren’s son, Isaac. As tensions rise, Siren recounts a past mission to earn their trust—only for the duo to launch a daring raid on a trafficking ship and rescue the captive children. But when COBRA captures Isaac to manipulate Siren, the Baroness demands one final story, forcing her to confront what’s at stake.
In "Shadows and Light," a woman discovered by COBRA rises through their ranks, shaping a new order by recruiting those drawn to power and purpose. When she meets a man who resists her usual methods, she shifts her approach—earning his loyalty not through force, but through recognition. The story explores how influence can be forged in unexpected ways, with one decision setting a course that echoes across time.
In "Inferno," the G.I. Joe team encounters a mysterious poem by Signore Alighieri that eerily foretells COBRA’s fate—its descent into chaos and the possibility of redemption. The Commander, intrigued by the vision of COBRA emerging from the inferno to save the world, takes the prophecy as a blueprint for the organization’s future. As the story unfolds, the line between myth and mission blurs, leaving the fate of COBRA’s path uncertain.
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Reprinted in G.I. Joe #3 (2014)
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