Frankenstein #12
"Meurtres sur ordinateur" marks a pivotal moment in the Frankenstein series, bringing together writers Rich Buckler, Doug Moench, and Bill Mantlo in a tense, character-driven narrative. With art by Rich Buckler, Keith Pollard, and Bob McLeod, and inks by Klaus Janson, Rich Buckler, Keith Pollard, Bob McLeod, and Al Milgrom, the issue deepens the mystery around Deathlok’s past. The cover by Ed Hannigan and Bernie Wrightson captures the story’s grim urgency, set against the backdrop of a 5 FRF comic from 1979.
In "Meurtres sur ordinateur," Mike Travers confronts Deathlok, unaware that he married Deathlok’s wife just six months prior—yet Deathlok spares him, remembering a past act of mercy. Now tracking a mobster who might lead him to the surgeon who turned him into a cyborg, Deathlok barely misses a getaway in a fleeing helicopter.
In "J'ai passé une nuit dans une maison hantée," a new kid in town dares himself to spend a night in a local haunted house, expecting terror from spirits—but what he encounters is far stranger. The house itself seems to remember him, and by morning, he realizes the truth: the walls, the rooms, the silence—they were the ghost all along.
In "L'homme invisible," a scientist's ambition leads him down a dangerous path when a communist agent offers a fortune for his work on an invisibility ray. Greed overrides caution as he perfects the device—only to discover too late that the ray has made him intangible, trapped in his own creation with no way to reverse it.
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Reprints
↩ Reprints Tales of Suspense #25 (1962), Journey into Mystery #80 (1962), Astonishing Tales #31 (1975), Astonishing Tales #32 (1975), The Inhumans #3 (1976), The Inhumans #4 (1976), The Inhumans #5 (1976), The Inhumans #6 (1976)
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